22nd-STRAIGHT YEAR: EXCLUSIVE NON-FICTION BOOK COVERAGEON BOOK TV ON C-SPAN2
C-SPAN’s Book TV has provided live, in-depth, uninterrupted coverage of the National Book Festival since it began. Now, after several years of virtual coverage because of the pandemic, Book TV is back in person, once again providing signature LIVE gavel-to-gavel coverage of the Festival’s non-fiction authors.
“As we celebrate this year’s National Book Festival with the theme ‘Books Bring Us Together,’ the Library of Congress’ partnership with C-SPAN’s Book TV will bring together readers across the country, allowing them to enjoy our exciting lineup of authors. We’re proud to join with C-SPAN to extend the reach of the Library of Congress National Book Festival once again so that book lovers from coast to coast can experience this celebration of reading,” said Librarian of Congress Carla Hayden.
Among the guests and authors the nationwide Book TV audience will see and hear from on September 3, 2022, (9:30amET-5:30pmET):
- Librarian of Congress Carla Hayden
- David Maraniss, “Path Lit by Lightning: The Life of Jim Thorpe”
- Conversation on women leaders of the civil rights movement with authors Tomiko Brown-Nagin (“Civil Rights Queen: Constance Baker Motley”) and Kate Clifford Larson (“Walk With Me: Fannie Lou Hamer”). Moderated by Neda Ulaby.
- Clint Smith, “How the Word is Passed: A Reckoning with the History of Slavery Across America”
- Conversation on creating community in America with authors Gal Beckerman (“The Quiet Before) and Kathryn Judge (“Direct”). Moderated by Sewell Chan.
- Conversation on conspiracies in America with authors Brendan McConville (“The Brethren”) and Elizabeth Williamson (“Sandy Hook”). Moderated by Roswell Encina.
- Jack Davis, “The Bald Eagle: The Improbably Journey of America’s Bird”
- Conversation on climate change with authorsJuli Berwald (“Life on the Rocks”) and Edith Widder (“Below the Edge of Darkness”). Moderated by Liz Neeley.
- Conversation on the modern essay in the age of speed with Morten Høi Jensen (“The Fiction That Dare Not Speak Its Name”), Shawn McCreesh (“The Hatboro Blues”) and Becca Rothfeld (“Sanctimony Literature”) .Moderated by Celeste Marcus.
- Will Bunch. “After the Ivory Tower Falls.”
In partnership with the Library of Congress, C-SPAN has been part of the National Book Festival from the first one, September 8, 2001. Book TV’s LIVE coverage has taken the C-SPAN2 audience to the Festival’s various venues – U.S. Capitol grounds, a vast tent city on the National Mall (2002-2013), expo-style event in the Washington Convention Center (2014-2019), virtual (2020-2021), and now back to the Walter E. Washington Convention Center.
Wherever the National Book Festival goes, Book TV is there. Over the past 21 years, Book TV has featured hundreds of non-fiction authors and guests, including Laura Bush, David McCullough, Buzz Aldrin, Salman Rushdie, Carla Hayden, Julie & David Eisenhower, Kinky Friedman, David Rubenstein, Joyce Carol Oates, Colson Whitehead, Doris Kearns Goodwin, and Madeleine Albright, to name a few.
You can see all of Book TV’s coverage of the National Book Festival over the decades via this dedicated C-SPAN Video Library subpage: https://www.c-span.org/liveEvent/?nationalbookfestival
Book TV doesn’t limit itself to covering the National Book Festival. A partial list of other book festivals from around the country which Book TV covers includes: the Miami Book Fair, the Mississippi Book Festival, the Tucson Book Festival, the Southern Festival of Books, the Wisconsin Book Festival, the Texas Book Festival, the Brooklyn Book Festival, and many more.
If non-fiction books are your thing, C-SPAN is your place.
About Book TV:
Book TV – Sundays on C-SPAN2 – is the only television service dedicated to nonfiction books. Book TV features programming on a rich variety of topics, such as history, biography, politics, current events, the media and more. Watch author interviews, readings and coverage of the nation’s largest book fairs. Every Sunday on C-SPAN2 starting 8am ET or online anytime at booktv.org . Use that website as well to connect with Book TV via social media and email newsletter.
C-SPAN, the public affairs network providing Americans with unfiltered access to congressional proceedings, was created in 1979 as a public service by the cable television industry and is now funded through fees paid by cable and satellite companies that provide C-SPAN programming. C-SPAN connects with millions of Americans through its three commercial-free TV networks, C-SPAN Radio, C-SPAN Podcasts, the C-SPAN Now app, C-SPAN.org and various social media platforms. The network’s video-rich website contains over 270,000 hours of searchable and shareable content. Engage with C-SPAN on Twitter, Facebook, Instagram and YouTube, and stay connected through weekly and daily newsletters.
A very anxious dog teaches a couple how love stretches our capacity for compassion and caring.
Edie first exhibited signs of severe anxiety at her first puppy social at the San Francisco SPCA. Unlike the previous two dogs Meredith May had owned, whom she describes as typical goofy, playful, curious, undaunted puppies from Golden Retriever Central Casting, Edie was absolutely terrified of the noise, the lights, the other dogs, the people — all the movement happening in a 360-degree circle around her.
“Her hyper-reactivity set off her fight-or-flight response, so that she ran from practically anything that moved — traffic, pedestrians, children, bicycles, motorcycles, garage doors, plastic bags floating on the wind,” said May, who writes about her experiences in her new book “Loving Edie: How a Dog Afraid of Everything Taught Me to be Brave” (Park Row Books 2022; $24.99 Amazon price).
May, an award winning journalist and fifth generation beekeeper who lives in San Francisco with her wife Jenn, had her own issues. The daughter of a deeply depressed mother, she spent years without getting out of bed and sought refuge in reading, a favorite stuffed animal that she took to college, hiding in small spaces and raising bees.
But she and Jenn didn’t return the adorable puppy, who was only calm and happy when indoors and away from stimulation.
“What this meant for me and Jenn was that one of us had to be with her at all times, indoors, there to protect her,” said May. “Which brought our carefree lives to a standstill and shut us out of the vibrant San Francisco dog culture. Think: dog rooftop cocktail parties, Corgi-con at the beach, dog cafes, pet parades and dog hikes that we had enjoyed with our other dogs.”
Edie also added stress to their relationship in other ways as they kept trying to “fix” her, transforming her into the dog they wanted her to be.
”Jenn, who had never raised a puppy before, kept asking me when Edie would grow out of it, and I was foolishly trying every remedy possible to make that happen so we could have the dog that was going to deepen our relationship and bring us nonstop laughter and joy.”
This might have gone on for a long time, but May fortunately met a brilliant veterinarian who had experience with anxious dogs. The vet shared a story about a mother of an anxious child. To get the daughter ready to go snorkeling in Hawaii, the mother started by having her learn to wear a snorkel and then use it, first in the bathtub and then in the pool.
“Only then, after the baby steps, could the family go to Hawaii and snorkel without any meltdowns,” May said. “This vet’s simple story made me realize that Edie wasn’t here for my entertainment, she was here for me to be her protector. What I had been resisting this whole time was being pushed into a maternal role with Edie because deep down I didn’t think I’d ever make a good a mother to human or animal, because I’d been raised without my father in the home and by a mother who often complained openly about how motherhood shackled her. They say dogs come along at the precise moment you need to evolve in a certain way, and for me the therapeutic part of Edie is unearthing a buried maternal instinct and discovering that it’s not a subtraction of my life, but an enhancement to keep this dog alive and happy. The best thing in the world is when Edie runs to me when she’s scared. She no longer runs blindly in any direction — she knows I’m home base.”
What would you like readers to take away from your book besides a fascinating and heartfelt read, I asked May?
“I hope readers learn that all dogs are different, and all have deep emotions that need tending,” she said. “I did not know how to read canine body language until Edie forced me to research it, and now I cringe at all that I didn’t understand with my other two dogs. I hope readers sympathize with my mistakes in the story. It took a neurotic dog to teach me that I was neurotic about being perfect, about having control, and that I was the one who needed to change, not Edie.”
For more information about May and her virtual book signings, visit meredithamay.net.
This year’s Pulitzer Prize winners.
A mordant, linguistically deft historical novel about the ambiguities of the Jewish-American experience, presenting ideas and disputes as volatile as its tightly-wound plot.
A funny, poignant play that deftly transposes “Hamlet” to a family barbecue in the American South to grapple with questions of identity, kinship, responsibility, and honesty.
A gripping account of Indigenous justice in early America, and how the aftermath of a settler’s murder of a Native American man led to the oldest continuously recognized treaty in the United States.
An original and compelling history, spanning five centuries, of the island that became an obsession for many presidents and policy makers, transforming how we think about the U.S. in Latin America, and Cuba in American society.
A searing first-person illustrated account of an artist’s life during the 1950s and 1960s in an unreconstructed corner of the deep South–an account of abuse, endurance, imagination, and aesthetic transformation.
A virtuosic collection that inventively expands the sonnet form to confront the messy contradictions of contemporary America, including the beauty and the difficulty of working-class life in the Rust Belt.
An affecting, deeply reported account of a girl who comes of age during New York City’s homeless crisis–a portrait of resilience amid institutional failure that successfully merges literary narrative with policy analysis.
Chicago author Alex Kotlowitz has always been willing to tackle the big issues that impact our society and in his book An American Summer: Love and Death in Chicago, he looks at one summer in Chicago to tell the story about violence throughout the United States. Kotlowitz discussed his book with Northwest Indiana Times correspondent Jane Ammeson.
What was the inspiration for writing An American Summer? And can you give us a synopsis of the book in your own words?
I feel like I’ve been working my way to this book for a long while. When some thirty years ago I was reporting There Are No Children Here, it was the violence that unmoored me. The numbers are staggering. In the twenty years between 1990 and 2010, in Chicago 14,033 people have been killed, another 60,000 wounded by gunfire. I’ve long felt we’ve completely underestimated the effect of that violence on the spirit of individuals and the spirit of community. And so I set out to tell the stories of those emerging from the violence and trying to reckon with it, people who are standing tall in a world slumping around them. The book is set in one summer, 2013, and it’s a collection of 14 stories, intimate tales that speak to the capacity of the human heart, stories that I hope will upend what you think you know.
How did you choose who to talk to? How did you find them? And how did you go about choosing which stories to use?
I spent that summer speaking with as many people as I could. I’ve been reporting on many of these neighborhoods for thirty years, so I visited with many of the people I knew. I embedded with a homicide unit. I spent time at a trauma center. I hung out at the criminal courthouse. I spent time on the streets, in churches, at taverns, halfway houses. I was looking for stories that surprised me, that knocked me off balance, hoping they might do the same for readers. And as is often the case, I wrote about people who on some level I admired. For who they are. For how they persevered. For their character. I wrote about people who I came to deeply care about. I wrote about stories that made me smile and that left me anger. I wrote about stories that left me with a sense of hope.
You’ve been writing about violence for 30 years? Do you ever get worn out by it?
It’s by no means all that I’ve written about, but, yes, a lot of my work has dealt with the profound poverty of our cities. I write out of a fundamental belief that life ought to be fair, and so much of the time I land in corners of the country where life isn’t fair at all. Do I get worn out by it? Sometimes. But I come away each time inspired by the people I meet along the way.
I know the number of murders has gone down but so has the number of murders and shootings that are solved. Any thoughts on why that is? And does that have an impact on the continuing violence?
Murders have gone down from the early 1990s, though we saw an unsettling spike in 2016 which approached those numbers of 30 years ago. And, yes, you’re right the clearance rate on homicides and shootings are remarkably low. You have a three in four chance of getting away with murder in Chicago, and a nine in ten chance of getting away with shooting someone and wounding them. Those numbers aren’t a misprint. That inability to solve violent crimes only erodes even further the distrust between communities of color and the police. It erodes even further that there will be justice. And as a result when there’s a sense that there’s no justice, people take matters into their own hands.
What would you like readers to take away from your book?
The humanity of the people I write about. I’m a storyteller. My ambitions are reasonably modest. I guess my hope in the end is after reading these stories, readers will think of themselves and the world around just a little bit differently. And maybe it will nudge along politicians and policy makers to act, to recognize the urgency.
Is there anything else you’d like readers to know?
One final thought. This book takes place in Chicago, but Chicago, despite its reputation, isn’t even among the top ten most violent cities in the country. I could’ve written this book about so many other cities. What’s more, these stories speak to who we are as a nation. In the wake of the tragedies at Newtown and Parkland, we asked all the right questions. How could this happen? What would bring a young man to commit such an atrocity? How do the families and the community continue on while carrying the full weight of this tragedy? In Chicago, in Baltimore, in New Orleans, in the cities across the nation, no one’s asking those questions. What does that say about us?
An American Summer is available in hard cover, digital, and as an audiobook.
Kenneth Schoon, professor emeritus at Indiana University Northwest, has immersed himself in the history of the Greater Chicago/Northwest Indiana area for decades, writing books starting from the area’s earliest beginnings such as “Calumet Beginnings: Ancient Shorelines and Settlements at the South End of Lake Michigan” and “Swedish Settlements on the South Shore of Lake Michigan.”
In his latest book, “Pullman: The Man, the Company, the Historical Park” (History Press 2021; $21.99), he showcases what once was among the ultimate company town and is now a Chicago neighborhood. George Pullman, whose last name became synonymous with plush railroad sleeper cars, believed that happy workers were productive workers and so developed his town along the western shore of Lake Calumet in the late 1800s.
I thought I knew company towns having grown up in East Chicago, Indiana my friends whose parents worked at Inland Steel lived in Sunnyside in Indiana Harbor. On the East Chicago side there was Marktown built in 1917 by Clayton Mark, for those employed at the company he owned, Mark Manufacturing.
But they’re different Schoon tells me. Both Marktown and Sunnyside were residential neighborhoods. But Pullman was an actual town with its own schools, library, churches, Masonic Hall, businesses, and even a band. Garbage and maintenance was paid for by the company.
In 2015, then President Barack Obama proclaimed Chicago’s Pullman District as a National Monument, encompassing many of its surviving buildings such as the former Pullman Palace Car Works, the Greenstone Church, formerly the Greenstone United Methodist Church, the A. Philip Randolph Pullman Porter Museum, workers’ homes, the Pullman Administration Clock Tower Building, Arcade Park, and the Florence Hotel, named after Pullman’s oldest daughter.
Though I vaguely knew about the town of Pullman, it had never been on my radar as a place to visit even though it was less than eleven miles from where I lived.
“The same with me,” says Schoon who remembered going to the Florence Hotel, one of the fanciest structures in town, to eat when young never to return until hired by the Historic Pullman Foundation to write about the history of the town for their brochure.
Today we talk about experiences, but that’s what Pullman was all about back then. His sleeper cars were luxurious, but the brand also meant great service. After the Civil War, he hired recently emancipated African American men, to work as porters becoming the largest employer of Blacks in the U.S. Their jobs were to attend to passengers needs by serving food and drink, shining shoes, tidying up the train, making sure the temperature was just right and that lighting fixtures worked. Black women were hired as maids to take care of women guests on the most expensive cars—babysitting children, helping with their baths, giving manicures, and fixing their hair.
Pullman was no dinky little town. The Arcade Theatre could accommodate 1000 people and Schoon says it was, for a time, the finest theater west of the Hudson River.
With the advent of automobiles and highways, the need for sleeper cars lessened. But luckily many of Pullman’s historic buildings remain including the Florence Hotel which is currently closed for renovations but expected to open within a few years.
In an interesting tidbit, Schoon notes that Pullman was originally dry because George Pullman was a Prohibitionist. Luckily for those who wanted to imbibe, Kensington, the town next door had 23 taverns at the time.
Kenneth Schoon will be signing copies of his book during the Labor Day Weekend at the Grand Opening of Pullman National Monument Visitor Center and Pullman State Historic Site Factory. For more information about times and other events, visit www.pullmanil.org
Susan Orlean’s newest book, The Library Book (Simon & Schuster, $28), is about a fire and a library but like all things this New York Times bestselling author writes (The Orchid Thief, Rin Tin Tin), it’s so much more. A lover of libraries since she was very young, Orlean had been toying with the idea of writing about the subject when her son, then six-years-old, announced that his class assignment was to write about a city employee and instead of the typical fireman or policeman interview, he wanted to write about a librarian. Then, after moving to Los Angeles, Orlean was at the Los Angeles Central Public Library when the librarian opened a book, took a sniff and announced that you could still smell the smoke. Orlean asked if that was from a time when smoking was allowed. The answer was no, instead the aroma dated back to April 29, 1986 when an inferno blazed for seven hours, reaching 2500 degrees. It took half of the Los Angeles’s firefighting resources to extinguish the blaze and by then flames and water had destroyed 400,000 books and damaged another 700,000.
“It was the combination of all of these that gave me the final push; it was as if I was being nudged, repeatedly, to look at libraries and find a narrative about them to write,” says Orlean, a staff writer at The New Yorker and author of seven books. “Learning about the fire was definitely the final nudge that made me sure this was the story I wanted to tell.”
But how to tell the story? For Orlean, who is obsessive about details and research—it took her almost as long to write the book as it did to rebuild the library—she had to figure out her focus.
“That’s exactly what the challenge was–it was a topic that was both broad and deep, with so much history and so many ways I could pursue it,” she says. “I finally decided to treat it as a browse through a library, with stops in different ‘departments’ of the story, such as the history, the fire, the present day, my own library memories. By visualizing the story that way I was able to move through the topic and engage as many aspects of it as I could.”
Her attention to details, both past and present is amazing and intriguing. We learn that Mary Foy, only 18, became the head of LAPL and also, because the fire was set by an arsonist, she delves into previous book burnings such as when in 213 B.C. Chinese emperor Qin Shi Huang ordered any history book he didn’t agree with be destroyed. The act, says Orlean, resulted in over four hundred scholars being buried alive.
In keeping with her compulsive exploration, Orlean even tried burning a book herself, just to see what happens and how it is done.
Asked to name her favorite library, Orlean mentions the Bertram Woods branch library in Shaker Heights, Ohio.
“That’s where I fell in love with libraries and became a passionate reader,” she says. “Of course, I’ll always feel a special attachment to the L.A. Public Library, because of the book, and it’s a great library to be in love with.”
Orlean also hopes people appreciate the gifts library give us.
“I want people to think about the nature of memory, both individual memory and common memory,” she says. “Our individual memories are as rich as a library, full of volumes of information and vignettes and fantasies. And our common memory is our libraries, where all the stories of our culture reside. I love reminding people of the value of both.”
What: Susan Orlean discusses her new book followed by a book signing.
When: November 13th at 6 pm
Where: Cindy Pritzker Auditorium, Harold Washington Library Center, Chicago Public Library, 400 S. State Street, Chicago IL
FYI: (312) 747-4300; chipublib.org
Northwest Indiana is famously known as a melting pot, a coming together of a vibrant amalgam of people from many countries and different cultures, making the area rich in diversity. But what may be surprising to those of us who grew up in the Region, the first non-English speaking people to move into the Indiana Dunes region and establish settlements were not from Eastern Europe, Germany or Mexico but were instead Swedish immigrants.
“Many came first to Chicago which at one time had more Swedes than any city on earth except Stockholm,” says noted historian Ken Schoon, author of the recently released Swedish Settlements on the South Shore (Donning Company Publishers $30), noting that the legacy of these early Swedish immigrants can still be found throughout the Region even today.
“Swedes established more than a dozen local churches, most of which are still active today,” he says “They built homes out of logs, lumber, and bricks, cleared and farmed the land, worked for the railroads and the brick factories, and established businesses, some of which are still in business today. Several of the early Swedes served in the Union army in the Civil War. Nearly all got American citizenship, and some were elected to political office.”
Swedish settlements included neighborhoods in Hobart, Baillytown, Portage Township, Porter, Chesterton, and LaPorte as well as Swedetown in Michigan City. According to Schoon, Miller Beach, where Swedish families like those of my sister-in-law span five decades, was described in 1900 by Lake County historian Timothy Ball as mainly Swedish Lutheran.
Other tie-ins with the Region’s Swedish past comprise Chellberg Farm, a historic farmstead, now part of Indiana Dunes National Lakeshore.
“The Chellbergs were one of hundreds of Swedish families that immigrated to the ‘south shore’ area of Northwest Indiana,” says Schoon. “They were the first non-English speaking immigrants to arrive in numbers large enough and lived close enough together to call the areas settlements.”
Close by to Chellberg Farm and further back in time, Joseph Bailly, a French fur trader who founded a trading post which is also now within the Indiana Dunes National Lakeshore. According to Schoon, Bailly’s son-in-law Joel Wicker hired recently-arrived Swedes to cut down trees and prepare them for the railroads to be used as rail ties and as fuel for the steam engines.
“Logs were also needed to build and heat their homes and for cooking,” says Schoon. “When enough trees were cut down, Wicker then sold the land to his Swedish employees who then cleared the land for farming. Other Swedes found employment as farm laborers, and working for sand and ice mining companies, and as blacksmiths and carpenters. As the immigrants had more money, many purchased their own farms or started businesses in town. The first licensed embalmer in Indiana was carpenter John Lundberg, a Chesterton Swede.”
Many of the churches founded by Swedish immigrants still exist and for almost 70 years or so continued to offer Swedish-language services. Now services are in English and their congregations encompass more than those of Swedish ancestry.
“Bethany Lutheran Church in LaPorte is the oldest Swedish-founded church in Indiana,” says Schoon. “Until it closed last December, the Evangelical Covenant Church in Portage was the oldest Covenant Church in the state. The Michigan Avenue Methodist Church in Hobart still uses its original 1889 white frame building and Michigan Avenue used to be called Swede Avenue.”
Other churches are Bethany Lutheran and Grace Baptist in LaPorte, Zion Lutheran in Michigan City, Bethlehem in Chesterton, Augsburg (Baillytown/Porter), Hope (Crisman/Portage), Bethel (Miller), and Augustana (Hobart
Though Swedes, whose last names are similar to common “American names” such as Anderson and Carlson, quickly assimilated into American culture, descendants of Swedes still learn Swedish songs and dances and celebrate the traditions of their forbears says Schoon and we also have assimilated into their traditional ways.
“Even non-Swedes know about Vikings and may eat Swedish meatballs,” he says, noting that in 1952, 100 years after its founding, Chesterton still had more than 23 Swedish-owned businesses. “Smörgåsbord has become an American word—though to Swedes it has slightly different meaning. Swedes and their descendants helped build the Calumet Area.”
Swedes celebrate July 4th but also honor their own customs as well including Midsummer, the first day of summer and the longest day of the year, a holiday featuring a Maypole, singing, dancing, eating and drinking.
“At least in Sweden,” says Schoon about the drinking part, “but not at the Chellberg Farm where Midsummer is celebrated.”
But it isn’t all just history for Swedes and those of Swedish ancestry along the South Shore. The newest lodge in the Scandinavian Vasa Order of America was started in 2006 and sponsors “Nordikids” a very active organization for children and youth that teaches primarily Swedish songs, dances, and customs. The group performs every year at many venues including Chicago’s “Christmas Around the World.
Ken Schoon, the author, is not descended from Swedes, but he is married to the granddaughter of Swedish immigrants. His earlier works include Calumet Beginnings, Dreams of Duneland, and Shifting Sands, all published by Indiana University Press, and City Trees published by Stackpole Books.
Ken Schoon book presentations and book signings.
Sunday, November 11@ 3pm. Calumet City Historical Society, 760 Wentworth Ave, Calumet City, IL. 708-832-9390; calumetcityhistoricalsociety.org
Wednesday, November 14@ 6:30pm. Augsburg Church, Augsburg Evangelical Lutheran Church, 100 N Mineral Springs Rd, Porter, IN. 219-926-1658; augsburglutheran.org
Sunday, November 25 @ 10:30. Westminster Presbyterian Church, 8955 Columbia Ave, Munster, IN. 219-838-3131; wpcmunster.org
Saturday, December 8 @ 9:30. Brunch including Swedish pancakes and lingonberry syrup and book signing, Dunes Learning Center, 700 Howe Rd, Porter, IN. 219-395-9555; duneslearningcenter.org