Adult-ish: Record Your Highs and Lows on the Road to the Real World by Cristina Vanko

At 27, Cristina Vanko began to feel herself metamorphosing into adulthood — at least in some ways.

“Adulthood was a topic of conversation among my friends who were doing all these movement things towards being adults — they were getting real jobs, getting married and moving away,” says Vanko, the author of the just released “Adult-ish: Record Your Highs and Lows on the Road to the Real World” (Penguin Random House 2017; $15).

Now that she’s 28 and finally deciding that yes, she is after all an adult, Vanko decided to record her transformation and create prompts for others who are following in her footsteps.

Designed like a journal, her book has lots of space to answer such questions and tackle topics: “What’s the first song that made you feel out of touch with kids today?” “What’s the first plant you kept alive?” “Describe the first time you felt lost. How did you find yourself again?”

“Overall, I want people (to focus on) good memories,” Vanko says about the book. “If they do write something sad, hopefully they’ll be able to look back at it later and laugh.”

Vanko also created an Instagram page to go with the book called “100 Days of Adulting,” which, like her book, is filled with her insights and drawings. Besides being an artist, Vanko is a dedicated calligrapher who learned to perfect her skills after discovering her father’s nibs and pens. He was an art teacher at Hyde Park High School for 36 years. She also authored “Hand-Lettering for Everyone.”

“Until I got to college, I didn’t realize calligraphy really existed,” says Vanko, who graduated from Munster High School, studied graphic design and Spanish at Indiana University and now works as a freelance graphic designer, illustrator and author in Chicago. “IU has a program that focuses on typography and has the largest letter press shop in the U.S. I loved working in there.”

When asked what her favorite prompt is in “Adult-ish,” Vanko mentions the pizza page. There are no page numbers in the book so finding what she’s talking about means flipping through the book until I located the prompt, written in cursive over an empty picture frame, reading, “Whether you’re engaged to a human or a slice of pizza, draw a silly engagement photo.”

I ask what that means.

“I was somewhat bummed that so many of my friends were getting married and posting photos of their engagement — it’s annoying,” she says.

So if you were going to get engaged to a slice of pizza, what kind would it be?

“Probably pepperoni with extra sauce,” Vanko says.

“Adult-ish: Record Your Highs and Lows on the Road to the Real World” is available at Barnes & Noble and also through online book dealers.

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Chicago’s Fabulous Fountains by Greg Borzo with photos by Julia Thiel

Hiding in plain sight, Chicago’s many fountains are gems of art, history, politics and culture, their stories often overlooked.

Sure we all know Buckingham Fountain and the Crown Fountain in Millennial Park. But what about the Nelson Algren Fountain at Division Street and Ashland and Milwaukee avenues which was opposed by the Polish community and many residents near the Polonia Triangle because he wrote about life there with a brutal honesty? Or the Drexel Boulevard Fountain, originally named the Thomas Dorsey Fountain, after the South Side musician considered to be the father of gospel music which is bookend by the newly restored Drexel Fountain?

I thought not. But then neither did I until I chatted with Greg Borzo about his newest book, Chicago’s Fabulous Fountains (Southern Illinois University Press 2017; $39.95) with photos by Julia Thiel.

A news officer covering science at the University of Chicago, Borzo also volunteers to give tours of the “L” and often was asked about the fountains they passed on the route.

“I realized that people knew about the Chicago Fire and World’s Columbian Exposition which was held in Chicago in 1893 but they didn’t know anything about Chicago’s fountains,” says Borzo.

And so, because Borzo likes to chronicle the city’s intriguing icons and is the author of The Chicago “L,” and Chicago Cable Cars, he began extensively researching Chicago’s fountains, past and present. In the process he inspired his friends, who he dubbed “fountain finders,” to join in the search.

“They got a fountain buzz going and they’d say there’s one at such and such” says Borzo. “As I found out about fountains, I began to realize it’s about the artists, the ethnic groups, the politics—it’s so much more than just a pretty fountain.”

Immersed in fountain lore, Borzo connects the historic dots—or should we say splashes of water.

“People are very interested in the 1893 Fair and what I found is there are four fountains directly related to the fair—which were built for the fair or part of the fair,” he says. “The Rosenberg Fountain on Michigan Avenue and 11th Street was built in time for the Fair but was built near the Illinois Central Station that used to stand at 11th and Roosevelt for people getting off the train could get a drink.”

The fountain was a gift to the city by Joseph Rosenberg, a former paperboy who used to get thirsty while his rou

te. To prevent that happening to others, the fountain had metal drinking cans attached by a chain–doesn’t sound very sanitary, does it?

The Women’s Christian Temperance Union was also worried about thirsty people and wanted to provide water instead of stopping at a bar for a whiskey.

“Fountain Girl was located at the fair and people could take one of the tin cups chained to the fountain to get a drink,” says Borzo. “After the Fair, they moved Fountain Girl to the Women’s Christian Temperance Union skyscraper in the downtown and when that got torn down the fountain was moved again to Lincoln Park. The city didn’t ban shared drinking cups until 1911. The Illinois Humane Society had about 60 fountains with shared cups, two still at Chicago and Michigan. Now they’re cute fountains but instead of the cups they have troughs for water for carriage horses.”

Which brings up another point. While I always assumed that once it was built, a fountain stayed in one place. But that’s not necessarily so. According to Borzo, fountains were moved quite frequently.

 

Researching the 125 existing outdoor fountains in the city wasn’t easy.

“There’s no record of many of them,” he says, noting there are records of “lost” fountains that no longer exist. Others are slipping away.

“Laredo Taft, great sculpture artist, made two of the greatest fountains—the Neo-classical bronze Fountain of the Great Lakes right next to the Art Institute which shows five maidens each holding a shell with the water pouring from one shell to the next—it’s elegant, beautiful and large,” says Borzo. “He had another one that was a failure called the Fountain of Time. It’s made out of

 

Does he have a favorite fountain?

thin concrete and is wearing away and there’s no way to prevent that.”

“My favorite is the one I’m spending time with at the moment,” he says but then relents. “There are six fountains at the base at the AON Center. The nice thing is you don’t haveto pay admission and at night they’re lit. It’s fountain heaven.”

Ifyougo

What: Greg Borzo book signing

When & Where: Wednesday, June 14 at 6pm; Harold Washington Library, 400 S. State Street, Chicago IL. 312-747-4300