This November, the St. Louis County Library and the St. Louis Jewish Book Festival are hosting SLCL Authors @ the J – a joint event series for readers throughout the St. Louis metro area. Additional information about St. Louis County Library’s author series is available online. Unless otherwise noted, all events are free and open to the public. All events are held at the J’s Staenberg Family Complex (2 Millstone Campus Drive).
The St. Louis Jewish Book Festival is an annual celebration of authors, books, and ideas during early November, with additional author events year-round. The range of author topics is vast: business, cooking, economics, family, fiction, history, music, religion, sports, and more.
Now in its 44th year, the Festival is nationally recognized for both its excellence and its size – it is one of the largest in the country with more than 10,000 audience members annually. People from all backgrounds and religions come to Festival events to hear premier speakers, share their thoughts, and ask questions.
St. Louis County Library and the St. Louis Jewish Book Festival are pleased to announce SLCL Authors @ the J – a joint event series for readers throughout the St. Louis metro area. Additional information about St. Louis County Library’s author series is available online. Unless otherwise noted, all events are free and open to the public. All events are held at the J’s Staenberg Family Complex (2 Millstone Campus Drive).
The St. Louis Jewish Book Festival thanks the Novel Neighbor for providing books by our presenting authors. The festival receives a percentage of sales for every book sold. Please support the St. Louis Jewish Book Festival and the Novel Neighbor by purchasing your books at the festival.
How to Purchase Books at the St. Louis Jewish Book Festival
In-person during the St. Louis Jewish Book Festival. Call 314-442-3299 for more info.
Far from the marshland where her family grew up and that claimed her father’s life, Loni Mae Murrow has found a quiet niche where she creates intricate life-like drawings of birds for the Smithsonian. It’s a rare talent and a job that Murrow, who started drawing at an early age, loves. But there are undercurrents in her job and life starting with a new administrator talking of budget cuts and disdaining Murrow’s need to return home to deal with her aging mother. Making it all more complicated is that she also is confronted with her brother and his controlling, avaricious wife both of whom seem more intent on cashing in on what little money there is in their mother’s portfolio than in helping her. Murrow has just a short time to take care of family business and to sort out messy family entanglements. If she doesn’t return in time, she’ll no longer have a job.
But the pull of her mother’s needs, a compelling job offer from a good friend, veiled hints at mysteries unsolved along with her realization that her father’s death may be less straightforward than it seemed at the time jarringly jeopardize the peace and tranquility that Murrow has achieved. She finds herself deeper and deeper into the place of her youth and the marshes, both of which she thought—hopefully–she had left behind for good.
Author Virginia Hartman convincing portrays the beauty of the marshes, creating an atmosphere of serene beauty but also one full of surprises and ultimately danger in The Marsh Queen (Simon & Schuster). She also conveys how easily Murrow falls into the patterns of her father who knew the waterways so well he could navigate the countless channels and inlets without a map. Hartman’s love of this landscape, full of unexpected wonders, is inherent in her writing.
“Early morning steam rises from the water,” Hartman writes about one of Murrow’s forays into the marshland. “I paddle to a different part of the swamp today, where the Cypress trees grow, as my dad used to say, ‘keepin’ their feet in the water.’ The canopy is high, like a cathedral, and I glide through the landscape of light and shadow. Ferns cascade from the trunks and pink lichen like measle spots and the Cypress knees stick up from beneath the surface like the hats of submerged gnomes.”
This enchantment of the waterways with all its many unexpected scenes of flora and fauna is something Murrow finds she shares with Adlai, the seemingly gruff proprietor of the canoe shop where she rents her canoe and paddles when she goes in search of such birds to draw as the purple gallinule. Her mother had married down so to speak when she chose Murrow’s father. It is a choice that Murrow ultimately must make as well—to leave a dream job of working at one of the most prestigious museums in the country and life in a bustling cosmopolitan city to return to the backwaters of home.
But first she must follow, however unwillingly, all the clues that keep presenting themselves regarding the past. It’s a matter of connecting the dots to find out what really did happen to here father all those years ago. And if she doesn’t accomplish that soon enough, then there’s more at risk for Murrow than just losing her job. It may mean losing her life.
Virginia Hartman has an MFA in creative writing from American University and is on the faculty at George Washington University. Her stories have been shortlisted for the New Letters Awards and the Dana Awards. The Marsh Queen is her first novel.
Virginia Hartman Events
At the Writer’s Center in Bethesda, Maryland, Virginia teaches Advanced Fiction Workshop (six weeks). For more information, please contact the Writer’s Center at 301-654-8664, www.writer.org.
Michigan is home to more lighthouses than any other state and about 40 of those are rumored to be haunted by the spirits of former keepers, mariners and others with ties to these historic beacons.
Inside the pages of Michigan’s Haunted Lighthouses, long-time researcher, writer and promoter of all things Michigan, Dianna Stampfler, shares stories of those who dedicated their lives — and afterlives — to protecting the Great Lakes’ shoreline. Her second book, Death & Lighthouse on the Great Lakes, Stampfler delves into the historic true crime cold case files that have baffled lighthouse lovers for as many as two centuries.
Throughout the fall season, Stampfler will be speaking at libraries around the state, sharing her lively and upbeat presentation about these lights. Copies of her books will be available for purchase and signing at every program.
For the complete schedule of upcoming events (including other topics beyond lighthouses), visit the Promote Michigan Speaker’s Bureau online.
About Michigan’s Haunted Lighthouses
Michigan has more lighthouses than any other state, with more than 120 dotting its expansive Great Lakes shoreline. Many of these lighthouses lay claim to haunted happenings. Former keepers like the cigar-smoking Captain Townshend at Seul Choix Point and prankster John Herman at Waugoshance Shoal near Mackinaw City maintain their watch long after death ended their duties. At White River Light Station in Whitehall, Sarah Robinson still keeps a clean and tidy house, and a mysterious young girl at the Marquette Harbor Lighthouse seeks out other children and female companions. Countless spirits remain between Whitefish Point and Point Iroquois in an area well known for its many tragic shipwrecks.
About Death & Lighthouses on the Great Lakes
Losing one’s life while tending to a Great Lakes lighthouse — or any navigational beacon anywhere in the world for that matter — sadly wasn’t such an unusual occurrence. The likelihood of drowning while at sea or becoming injured while on the job ultimately leading to death were somewhat common back in the late nineteenth and early twentieth century.
Death by murder, suicide or other unnatural and tragic causes, while rare, are not unheard of. In fact, more than dozen lighthouse keepers around the Great Lakes met their maker at the hands of others – by fire, poisoning, bludgeoning and other unknown means. A handful of these keepers, either because of depression or sheer loneliness, took their own lives. A few we may never know the true story, as the deaths now 100 or more years ago, weren’t subjected to the forensic scrutiny that such crimes are given today.
FULL PROGRAM SCHEDULE ANNOUNCED FOR PRINTERS ROW LIT FEST, THE MIDWEST’S LARGEST LITERARY CELEBRATION, SEPTEMBER 10 & 11
Pulitzer Prize winner and Poet Laureate Natasha Trethewey joins over 100 authors including national bestsellers Jamie Ford, Marie Myung-OK Lee, and Danyel Smith in a jam-packed weekend of free programming
This year’s festival highlights Chicago stories and offers fun for all ages, with a poetry tent organized by The Poetry Foundation; a rare presentation from satire writers at The Onion; interactive programs for youth and families; and more
The 37th annual Printers Row Lit Fest, presented by the Near South Planning Board, is pleased to announce the full schedule ofparticipating authors and programs. Printers Row Lit Fest is one of the three largest and oldest literary festivals in the U.S. and stretches across five blocks, along South Dearborn Street from Ida B. Wells Drive to Polk Street and on Polk Street from State to Clark, in Chicago’s historic Printers Row neighborhood. The outdoor event is accessible via public transportation and takes place rain or shine from Saturday – Sunday, September 10 – 11, from 10:00 a.m. – 6:00 p.m.
Printers Row Lit Fest’s dynamic lineup offers fun for book lovers of all kinds, from poetry and romance to satire and spoken word. Highlights of this year’s festival include a conversation with Danyel Smith, the first Black editor of Billboard magazine, on her recent book Shine Bright: A Very Personal History of Black Women in Pop; Jamie Ford discussing his current New York Times bestseller The Many Daughters of Afong May; and celebrated author of The Evening Hero,Marie Myung-OK Lee.
New to this year’s festival is a dedicated poetry tent curated by The Poetry Foundation with a lineup of award-winning and emerging poets. Also new to the festival is the laugh-out-loud Literary Death Match, whichpits four local authors against each other in front of a panel of all-star judges, and the Chicago-based, national satirical news site The Onion will present a rare, behind-the-scenes look at the article production process of “America’s Finest News Source” with a post-apocalyptic twist. Visitors can participate in a spoken word workshop and open mic led by EmceeSkool, and The Moth will showcase recent winners from their popular StorySLAM live storytelling competition.
The Printers Row Lit Fest will present powerful voices in social and environmental justice and activism with a series of panels hosted by reporters from Chicago Sun-Times and personalities from WBEZ. The fest includes a timely discussion reflecting on two years of the COVID-19 pandemic with a conversation between Dr. David Ansell, author of The Death Gap: How Inequality Kills, and Dr. Thomas Fisher, author of The Emergency: A Year of Healing and Heartbreak in a Chicago E.R. In addition, the Chicago Public Library will host Voices for Justice: Natalie Moore’s “The Billboard” including a staged reading of excerpts from the award-winning play.
This year marks the return of children and family-focused programming at Printers Row Lit Fest. Programs include Theatre on the Hill’s Choose Your Own Once Upon a Time, an opportunity for children to decide the fates of their favorite fairy tale characters in a live, interactive theatrical event, and Carlos Theatre Productions which will present a Latin American puppet show for children in Spanish and English. Parents can hear Dr. Dana Suskind in conversation with former Chicago Tribune columnist Heidi Stevens about her recent book Parent Nation: Unlocking Every Child’s Potential, Fulfilling Society’s Promise.
Programs are organized by Printers Row Lit Fest Program Director Amy Danzer, assistant director of graduate programs at Northwestern University School of Professional Studies and Board President of the Chicago Literary Hall of Fame.
IncludingSandmeyer’s Booksand The Book Cellar, Printers Row Lit Fest hosts over 100 booksellers in airy outdoor tents, inviting visitors to peacefully peruse everything from the rare to ‘hot off the press,’ newly published works. All programming, includingfeature presentations by myriad authors, spoken word artists, journalists, comedians, and poets,is100% free of charge.
Printers Row Lit Fest 2022 Schedule
SATURDAY, SEPTEMBER 10
Center Stage – Children’s Programming – Theatre on the Hill Presents Choose Your Own Once Upon A Time
Poetry Foundation – Children’s Programming – A bilingual reading of Pablo Neruda’s Book of Questions, Selections/Libro de Preguntas, Selecciones (Enchanted Lion Books, 2022) by translator, Sara Lissa Paulson.
Main Stage – Welcome by Near South Planning Board Chairman Steven Smutny, Chicago Public Library Commissioner Chris Brown, and First Lady Amy Eshleman. Program to follow featuring Natasha Trethewey, Harold Washington Literary Award Winner in conversation with Donna Seaman, Booklist. Program introduced by Natalie Moore, Harold Washington Literary Award Selection Committee Chair.
731 S. Plymouth Ct. – The Deep Creativity of Translation: A Reading and Discussion with Izidora Angel, Mary Hawley, and Alta L. Price. Moderated by Irina Ruvinsky. Presented by Another Chicago Magazine and the Third Coast Translators Collective.
Grace Place (2nd Floor) – Big Shoulders Press Presents Virus City: Chicago 2020-2021. Reading and Discussion featuring Amy Do, Robin Hoecker, Emily Richards, Oscar Sanchez, and Frank Tempone. Moderated by Rebecca Johns Trissler.
Grace Place (1st Floor) – Children’s Programming -10:15am – Doors. 10:30am – Miss Friendship Ambassador 2022 Susan Liu to tell the story of the Moon Festival Presented by the Chicago Chinatown Chamber of Commerce. 10:45am – Moon Festival Parade to depart Grace Place.
Center Stage – Welcome by Alderman King One Book One Chicago – Thomas Dyja, The Third Coast and Eric Charles May, Bedrock Faith with Judy Rivera-Van Schage
Poetry Foundation – Children’s Programming – Reading by Julian Randall, Pilar Ramirez and the Escape from Zafa. Emceed by Stefania Gomez.
Main Stage – (11:30 a.m.) WBEZ Presents Adriana Herrera, A Caribbean Heiress in Paris, and Sarah MacLean, Heartbreaker: A Hell’s Belles Novel in conversation with WBEZ’s Greta Johnsen, host of Nerdette
731 S. Plymouth Ct. – Ray Long, The House That Madigan Built: The Record Run of Illinois’ Velvet Hammer in conversation with Joan Esposito
Grace Place (2nd Floor) – Unlocking Memories and Uncovering Stories: Bindy Bitterman, Skiddly Diddly Skat (children’s book) and Sharon Kramer, Time for Bubbe (children’s book) in conversation with Chicago author Beth Finke
Grace Place (1st Floor) – Patricia Carlos Dominguez Presents Yo Luchadora (bilingual children’s book) followed by a workshop
Center Stage – Erika L. Sanchez, Crying in the Bathroom: A Memoir in conversation with Juan Martinez
Poetry Foundation – – The Chicago Poetry Center – Readings by Mayda del Valle, Aricka Foreman, Tim Stafford, Natasha Mijares, C. Russell Price, and Viola Lee. Emceed by Marty McConnell.
Main Stage – (12:30 p.m) WBEZ Presents Danyel Smith, Shine Bright: A Very Personal History of Black Women in Pop in Conversation with WBEZ’s Natalie Moore
731 S. Plymouth Ct. – Deborah Cohen, Last Call at the Hotel Imperial: The Reporters Who Took On a World at War in conversation with Peter Slevin
Grace Place (2nd Floor) – Crises: The All Ages Show – Dan Chaon, Sleepwalk and Jean Thompson, The Poet’s House in conversation with Eileen Favorite
Grace Place (1st Floor) – Writing Overwhelming Realities – Readings by Julia Fine, Dionne Irving, Ananda Lima, Jami Nakamura Lin, and Jeffrey Wolf. Emceed by Ananda Lima.
Center Stage – Debut Fiction: Jessamine Chan, The School for Good Mothers and Shelby Van Pelt, Remarkably Bright Creatures in conversation with Rebecca Makkai
Main Stage – (1:30 p.m.) Chicago Sun-Times Presents The Environmental Justice Exchange: A tribute to Hazel Johnson, the Mother of Environmental Justice. Host: Brett Chase. Guests: Cheryl Johnson, Hazel’s daughter and executive director of People for Community Recovery; Tarnynon Onumonu, poet and author of “Greetings from the Moon, the Sacrificial Side”; Luis Carranza, poet and author of “Viva la Resistencia”.
731 S. Plymouth Ct. – M. Chris Fabricant, Junk Science and the American Criminal Justice System in conversation with Rob Warden
Grace Place (2nd Floor) – Sourcebooks Presents – How Books Are Made: Authors Discuss the Publishing Process. Julie Clark, The Last Flight and The Lies I Tell; Ann Dávila Cardinal, The Storyteller’s Death; Iman Hariri-Kia, A Hundred Other Girls. Moderated by Kate Roddy, Associate Editor at Sourcebooks.
Center Stage – Title IX, 50 years later: Women writers, women’s sports – Corin Adams, Tiny Setbacks, Major Comebacks, Julie DiCaro, Sidelined: Sports, Culture, and Being a Woman in America, and Melissa Isaacson, State: A Team, a Triumph, a Transformation in conversation with Jeanie Chung
Poetry Foundation – Chicago Literary Hall of Fame, Wherever I’m At: An Anthology of Chicago Poetry – Readings by Daniel Bortzutzky, Ugochi Nwaogwugwu, Elise Paschen, and Sara Salgado. Emceed by Carlo Rotella.
Main Stage – Chicago Sun-Times Presents Social Justice in Chicago: The Mexican community’s fight to stay in the city. Host: Elvia Malagon. Guest: Mike Amezcua, author of Making Mexican Chicago: From Postwar Settlement to the Age of Gentrification
731 S. Plymouth Ct. – Dr. David Ansell, The Death Gap: How Inequality Kills and Dr. Thomas Fisher, The Emergency: A Year of Healing and Heartbreak in a Chicago ER with Katherine Davis, Crain’s
Grace Place (2nd Floor) – Elizabeth Crane, This Story Will Change: After the Happily Ever After with Kim Brooks
Grace Place (1st Floor) – The Onion: America’s Finest News Source In The Post-Apocalypse featuring Skyler Higley and Sammi Skolmosk
Center Stage – PHENOM & EmceeSkool (Open Mic)
Main Stage – (3:30 p.m. ) Joe Meno, Book of Extraordinary Tragedies with Gint Aras
731 S. Plymouth Ct. – Beth Macy, Raising Lazarus: Hope, Justice, and the Future of America’s Overdose Crisis with Alex McLevy
Grace Place (2nd Floor) – Leslie Bow, Racist Love: Asian Abstraction and the Pleasures of Fantasy with Michelle Huang.
Grace Place (1st Floor) – Rebuilding a Life – Ann McGlinn, Ride On, See You; Alex Poppe, Jinwar and Other Stories; Lynn Sloan, Midstream with Rachel Swearingen
Center Stage – The Chicago Public Library and16th Street Theatre Present The Billboard by Natalie Moore – Staged Reading featuring Ti Nicole Danridge and Felisha McNeal followed by conversation between Natalie Moore, The BillBoard and Kathy Hey, Third Coast Review
Poetry Foundation – RHINO Poetry – Readings by April Gibson, Kathleen Rooney, Jessica Walsh, E. Hughes, Faisal Mohyuddin, Kenyatta Rogers, Jacob Saenz, Maja Teref & Steven Teref. Emceed by Naoko Fujimoto and Elizabeth O-Connell Thompson.
Main Stage – (4:30 p.m.) – Literary Death Match – Presented by StoryStudio Chicago and Near South Planning Board. All-star judges: David Cerda, Julia Morales, and Luis Urrea. Readers: Shannon Cason, Elizabeth Gomez, Mikki Kendall, and Diana Slickman. Emceed by Adrian Todd Zuniga.
731 S. Plymouth Ct. – Resistance, Resilience and Surviving the Sex Trade: – Brenda Myers-Powell, Leaving Breezy Street: A Memoir and Hannah Sward, Strip in conversation with Anne Ream, The Voices and Faces Project
Center Stage – The Guild Complex Presents Exhibit B – Reading by CM Burroughs, Ruth Margraff, and Nami Mun. Emceed by James Stewart III
731 S. Plymouth Ct. – Ramzi Fawaz, Queer Forms in conersation with Chicago LGBT Hall of Famer Owen Keehnen
SUNDAY, SEPTEMBER 11
Center Stage – Representation in Children’s Books: Reading and Conversation featuring Sam Kirk, The Meaning of Pride; Mrs. Yuka Layme, Co-Producer of Drag Queen Story Hour; Katie Schenkel, Cardboard Kingdom with Barbara Egel
Poetry Foundation – A Poetry Reading featuring Jennifer Steele, 826 Chiand Chris Aldana, Luya Poetry
Main Stage – Pirates, Ghosts, and Loss – Sara Connell, Ghost House and Michael Zapata, The Lost Book of Adana Moreau with Paula Carter
731 S. Plymouth Ct. – Kori Rumore and Marianne Mather (authors of), and Rick Kogan (prelude to) He Had It Coming: Four Murderous Women and the Reporter Who Immortalized Their Stories with Mary Wisniewski
Center Stage – Chicago Graphic Novelists – Markisan Naso, By the Horns and Michael Moreci, Wasted Space in conversation with Terry Gant, Third Coast Comics
Poetry Foundation – Chris Abani, Smoking the Bible – Reading followed by conversation with Parneshia Jones
Main Stage – Jamie Ford, The Many Daughters of Afong Moy in conversation with Carey Cranston, President of the American Writers Museum
731 S. Plymouth Ct. – Victor Ray, On Critical Race Theory: Why It Matters & Why You Should Care with Cassandra West, Crain’s
Grace Place (2nd Floor) – – Rev. Amity Carrubba in conversation with Tom Montgomery Fate, The Long Way Home: Detours and Discoveries
Center Stage – NU Press Reading, Growing Up Chicago – Second to None: Chicago Stories – Readings by Anne Calcagno, Shelley Conner, and Jessie Ann Foley. Emceed by David Schaafsma
Poetry Foundation – Roger Reeves, Best Barbarian – Reading followed by conversation with Simone Muench. Musical accompaniment, Mai Sugimoto.
Main Stage – Girlhood in Chicago – Illinois Poet Laureate Angela Jackson, More Than Meat and Raiment and Debut Novelist Toya Wolfe, Last Summer on State Street in conversation with Amina Gautier
731 S. Plymouth Ct. – Dana Suskind, Parent Nation: Unlocking Every Child’s Potential, Fulfilling Society’s Promise in conversation with Heidi Stevens
Center Stage – City in a Garden of Books: Literary Fellowship Among Independent Publishers and Booksellers – Parneshia Jones, NU Press; Dr. Haki Madhubuti, Third World Press Foundation; Doug Seibold, Agate Publishing with Jeff Deutsch, In Praise of Good Bookstore
Main Stage – Secrets – Bradeigh Godfrey, Imposter and Marie Myung-Ok Lee, The Evening Hero with Kate Wisel
731 S. Plymouth Ct. – Kevin Boyle, The Shattering: America in the 1960s in conversation with Elizabeth Taylor
Center Stage – Adam Levin, Mount Chicago in conversation with Jarrett Neal
Poetry Foundation – Young Chicago Authors – Reading featuring The Roots Crew, hosted by E’mon Lauren
Main Stage – The Moth: 25 Years of Live Storytelling featuring Grace Topinka, Melissa Earley, Archy Jamjun, and Jacoby Cochran
731 S. Plymouth Ct. – Neil Steinberg, Every Goddamn Day: A Highly Selective, Definitely Opinionated, and Alternatingly Humorous and Heartbreaking Historical Tour of Chicago in conversation with Shermann Dilla Thomas (“6figga_dilla”)
Center Stage – Reading and Conversation featuring Ana Castillo, My Book of the Dead: New Poems with Yolanda Nieves
Main Stage – Romance Panel: Legacy and Love – Ali Brady, The Beach Trap and Natalie Caña, A Proposal They Can’t Refuse with Tanya Lane
731 S. Plymouth Ct. – The Insidiousness of Hatred – Adam Langer, Cyclorama and Jerry Stahl, Nein, Nein, Nein!: One Man’s Tale of Depression, Psychic Torment, and a Bus Tour of the Holocaust in conversation with Ben Tanzer
Center Stage – The Crisis in American Democracy – Dick Simpson, Democracy’s Rebirth: The View from Chicago and Michael Dorf, Clear It with Sid!: Sidney R. Yates and Fifty Years of Presidents, Pragmatism, and Public Service with Gerry Plecki, President of The Society of Midland Authors
Poetry Foundation – Reading and Conversation featuring Tara Betts, Refuse to Disappear and Keli Stewart, Small Altars. Moderated by Rachel Jamison Webster
Main Stage – Chloé Cooper Jones, Easy Beauty: A Memoir with Gina Frangello
731 S. Plymouth Ct. – Sarah Kendzior, They Knew: How a Culture of Conspiracy Keeps America Complacent – with Rick Perlstein, Crain’s
Center Stage – Blue Heron Press, Open Heart Chicago: An Anthology of Chicago Writing – Readings by Dorothy Frey, Lorena Ornelas, Joe Peterson, and Sandi Wisenberg. Emceed by Editor Vincent Francone.
Main Stage – Debut YA Fiction – Giano Cromley, The Prince of Infinite Space and Skyler Schrempp, Three Strike Summer with Michelle Falkof
731 S. Plymouth Ct. – A Visual Read of the City – Lee Bey, Chicago Sun-Times architecture critic; Blair Kamin, former Chicago Tribune architect critic; Dennis Rodkin, Crain’s with Gerald Butters\
The Dalkey Book Festival, held in Dalkey, a suburb of Dublin, Ireland is hosting myriad speakers and authors this June including Sally Rooney, John Banville, Fiona Hill, Simon Schama, and Catherine Belton.
Over 100 of the world’s finest authors and sharpest intellects will descend on the beautiful and historic seaside town of Dalkey, County Dublin this summer.
This year the Dalkey Book Festival are bringing you a virtual experience – Dalkey Book Festival @ The Tower presented by Zurich. Three days of dynamic programming connecting you to their community of writers, thought leaders, entrepreneurs, and creative talent as they exchange ideas, challenge the status quo, and dismantle some of today’s most pressing topics.
The festival will be streamed at approximately the following times each day; Friday 18 June 18:00 – 20:45 Saturday 19 June 13:00 – 19:45 Sunday 20 June 13:00 – 19:30.
Over four days, writers from Turkey, America, Scotland, Australia, Sudan, England, Iran, Afghanistan, Russia, France, Germany, Albania, Pakistan, China, Italy and Ireland will come together in Dalkey for a wildly varied programme of over 80 events.
In what could be one of the most pivotal years in global history, the 2022 festival brings together thinkers from the worlds of literature, politics, science, history, journalism, technology and economics.
In literature, festival-goers will be able to get up close to Normal People writing sensation Sally Rooney, who is making a rare public appearance. The TV adaptation of her debut novel Conversations with Friends is currently running on the BBC and Hulu in the US.
As Dublin, Ireland and the world celebrates the 100th centenary of James Joyce’s masterpiece Ulysses, Dalkey Book Festival will feature two related events on 16 June, which in Ireland is Bloomsday, the day all the action of Joyce’s novel takes place.
Preeminent English intellectual Simon Schama comes to Dalkey Book for a Bloomsday Gala, while Irish actor Eamonn Morrissey will perform excerpts from Joyce that celebrate the ordinary and the everyday in experience, culture and language.
In politics and world affairs, US National Security adviser and Russia specialist Fiona Hill will fly in to deliberate on understanding Russia, while Catherine Belton will discuss her bestseller,Putin’s People, which explores the world’s most dangerous mind and network.
Ireland’s most renowned immunologist Luke O’Neill will take audiences through the wonders of science in a digestible and accessible way, and there will also be comedy, podcasts, writing workshops, events for all the family, and much more.
The festival has established itself as a highlight of the Irish cultural calendar, not least because of the unique buzz only Dalkey can offer. With its mediaeval town centre and magnificent coastline, it is the town that makes the festival so special.
Dalkey’s rich history is front and centre, with a tenth-century church and two Norman castles right on the main street. From the town, it’s a short walk to the harbour, where you can take a boat trip to Dalkey Island, or take a walk on Killiney Hill, one of the best walks in the whole of Dublin.
On Saturday 18 June, with the shortlists already out, Dalkey Book Festival will announce the winners of its 2022 ‘Novel of the Year’ and ‘Emerging Writer’ Awards, with a prize fund of €30,000.
In many ways his book is a behind the scenes look at the Notre Dame Fighting Irish but for those who groan at the thought of another football book, Brooks wants you to know it’s more than that. He discusses both the highs and lows of his life and career, offering a human look at being a gridiron star as he takes us on his personal journey, often peppering his book with humorous anecdotes. That includes the time he scored a 20-yard touchdown against the University of Michigan in 1993 while unconscious.
“I didn’t even know I was knocked down,” says Brooks about the incident where, after catching a pass, he was able to break through six Wolverine tackles—the last knocking him out—and still managing to make it across the finish line before falling face first in the end zone.
“I didn’t really know about the play until I saw it on Sunday during our film session and team meeting,” he says.
Brooks, a Notre Dame tailback, ended his senior year with 1,372 rushing yards, averaging about 8 yards a carry and scoring 13 touchdowns. He was named an All-American, finished fifth in the voting that year for the Heisman Trophy and was selected in the second round of the 1993 NFL by the Washington Redskins. But after a stellar first year in the league, his career started stalling, in part, he believes by a disagreement he had with the management over the team’s use of his image.
Welcome to the NFL. For Brooks, it seemed that he had upset the wrong people and paid the price for doing so. But he’s self-aware of how he responded. Feeling as if he were drowning he retreated into himself and didn’t avail himself of the help he was offered. Brooks’ experiences in the NFL reinforced his realization of how important Notre Dame had been in his life.
“It allowed me to see more clearly how special my teammates at Notre Dame were and what it meant to be a college football player,” he writes. “It’s the maturity you have to develop and the care for the others—even if you do not consciously think about it.”
He also saw the power of the Notre Dame network and how it opened doors for him when he was struggling—how the kindness of those he knew there helped him find his way.
When I ask what impact he hopes his book will have on readers, Brooks responds that he wants to show how his life and Notre Dame intertwined.
“I also want to get people to realize the value of ‘you’ and what ‘you’ bring to the community,” he says.
His father was his first coach and taught him the importance of treating others well. The emphasis was not on football as a way make a lot of money (though no one is arguing that isn’t nice) but the impact you can have on others.
“I still struggle with fandom,” he says. And we laugh about the old saw about never believing in your own press clippings—in other words not letting the hype change who you are.
“Those who are just starting are as important as the most famous,” he says.
Married to his college sweetheart, Christina Brooks, the couple have five children. Until recently Reggie Brooks worked for Notre Dame as the university’s Director of Student-Athlete Alumni Relations/Engagement and participated in after game shows. Recently he accepted the position of executive director of Holtz’s Heroes Foundation which precipitated a move from South Bend, Indiana to Prairie View, Texas. But that move was in part participated with his wife getting a job in Fort Worth and it was time, he said, to support her as she had always supported his career and many moves.
Still there was a sense of loss about leaving. Brooks had followed his brother Tony, who also played football, to the university after high school, played there throughout college and then returned. He loves the school’s values. When I tell him my brother taught accountancy there for 30 years and never ever was pressured to give a break to an athlete, he laughs, saying “You go to class, you do the work, that’s what makes it Notre Dame.”
He makes sure to complement the university’s accounting program as if wanting to assure me that it’s just as glamorous and important as their fabled football program. It’s just what makes him Reggie Brooks.
“There are certain women who, though perhaps not born rich, are born to be rich,” author Truman Capote wrote about the beautiful, well-dressed, and style-setting women he called his “swans.”
The ultimate arm candy for the wealthiest and most powerful of men, these women of the mid-20th century were trophy wives before the term existed. And they counted Capote, the author of Breakfast at Tiffany’s and creator of the true crime genre withIn Cold Blood, his chilling recounting of the brutal murders of a Kansas family, as their best friend.
Obtaining their lifestyles depended upon a confluence of beauty, wit, moxie, and marrying and knowing when to discard husbands as they worked their way up and up. At times, divorce papers were barely signed before the next wedding was held.
“Even though,” Leamer points out, “unlike Jackie she didn’t want to do the hard work that it takes to achieve something.”
These women knew how to climb to higher heights. Gloria Guinness had transitioned from a childhood of constant motion in Mexico and marriage at age 20 to a man 27 years older to marrying a German aristocrat and a romantic involvement with a top Nazi during World War II. Her third marriage was to the grandson of an Egyptian King and her last, the biggest prize, was to a scion of the Guinness beer family who was also a member of Parliament. Other wins were modeling for big time designers and the best of the fashion magazines as well as being on the International Best Dressed List for several years.
But ultimately, she wasn’t happy says Leamer who believes she committed suicide.
There was also Barbara “Babe” Paley whose mother raised her three daughters to marry money. Paley, who had been badly injured in an automobile accident when young, spent her life in considerable pain. Her husband expected perfection in all things and so she never slept in the same bedroom, so she could the loss of her front teeth.
But being the best wasn’t always the answer to happy life. The swans may have had uber-wealthy husbands, but they didn’t have good husbands. Frequently husbands and wives were flagrantly promiscuous, and the swans often led separate lives not only from their spouses but also their children.
“For them, to be a mom was to be hands-off,” says Leamer. “And the children often paid a price. They didn’t necessary learn to do anything because they were going to inherit a lot of money.”
Ornamental to the max, these were women who did nothing but did it extremely well. And Capote, despite his great literary successes, spent a lot of time doing nothing with them. He listened to their secrets and ultimately decided to write a book revealing what he had heard. When an article he penned revealed some of those stories, the swans all turned against him, and he was exiled from the society he craved.
“I went to a family wedding recently,” says Leamer noting the warmth and connectiveness that everyone had. “These women and Capote never had this.”
It’s such a cliché to say money doesn’t buy happiness. But that doesn’t mean it isn’t true. And it certainly is delicious to read about the lives of women who many thought had it all even though they didn’t.
Online Book Event
Join Laurence Leamer in an online event hosted by the American Writer’s Museum in Chicago when he reads from and discusses his new book.”
When: October 13 at 6:30 p.m.
How to Join In: This program will be hosted online via Zoom. To register, visit americanwritersmuseum.org/program-calendar/laurence-leamer-capotes-women/
In 1924, Peter Levant’s opened what was one of Whiting’s famous “perch palaces,” a place that served freshly caught perch right from Lake Michigan. They also advertised such menu items as steak, chicken, and, of course, this being The Region, frog legs—mostly likely from nearby Lake George.
Indeed, frog legs were so in demand that Vogel’s—which was just down the street and totally classy—raised their own frogs for legs in the lake. But that’s a different story.
Located at 1247 Calumet Avenue, Levent’s became the home of Juster’s Charcoal Broiled Steaks and then later George Diamond’s. Though my mom liked to cook, my parents were totally into eating out as well and though its been years and years, I remember going with them to George Diamond’s. It was the kind of place where everything was overlarge—the steaks, the salads, the charcoal flames, and even the menus.
That Diamond (yes, there was a George Diamond) even opened a place in Whiting shows the town’s status as a food destination. Indeed, around that time, there were a lot of great restaurants–and I’m sure I’m leaving a lot of places out–Vogel’s, Phil Smidt’s, Margaret’s Geneva House, Al Knapp’s Restaurant and Lounge, and the Roby Café. But Diamond was international. Besides his flagship restaurant at 630 S. Wabash Avenue in Chicago that was said to have cost over $1 million to renovate in a style I call 1950s swank, all red velvet and red upholstery, he had places in Las Vegas, Palm Springs, Antioch, Illinois on a golf course, and Acapulco, Mexico.
What I remember most was the house salad dressing which they bottled and sold on the premises. It was so unique that even now it has a cult-like online following with people searching for the recipe. It wasn’t Russian and it certainly wasn’t French or at least not the orangish French dressing we buy in bottles now. Diamond’s dressing was an almost translucent reddish pink. And if the recipe I found online is close to the original, it’s main ingredient was tomato soup.
There’s nothing left of Diamond’s empire today. Diamond died in 1982 at age 80 and the building housing the Wabash Avenue restaurant went up in flames in 2006. But people still remember that dressing.
George Diamond’s salad dressing
1 (10-ounce) can condensed tomato soup
2/3 cup oil
1/2 cup each: white vinegar, sugar
1 small onion, peeled and grated
1 clove garlic, peeled and halved
1 tablespoon dry mustard
1/4 teaspoon each: salt, ground black pepper
Place undiluted soup, oil, vinegar, sugar, mustard, salt, pepper, onion and garlic in a blender or food processor fitted with a metal blade. Cover and blend or process on high speed until pureed, about 2 minutes. Serve chilled. Store covered leftovers in refrigerator.
Melissa Shapiro could have said no when asked to foster a deaf, blind, and traumatized puppy. After all, Shapiro, a veterinarian with a busy practice already had six rescue dogs, a husband and three college-aged children in her home. She certainly didn’t have the time, energy, or room to take on a highly anxious puppy who weighed less than two pound and whose pink color has earned him the name of Piglet.
“I am a very routine oriented person,” says Shapiro who lives in Connecticut. “My other dogs happily integrate into my daily schedule which makes having so many relatively easy. When Piglet arrived, he literally turned things upside down. He had no idea where he was or what to expect, so he screamed and carried on for hours a day.”
And so to help Piglet adapt, Shapiro adapted as well, changing her schedule to accommodate Piglet’s needs. It was tough at first and the family, though dedicated to doing what was best for Piglet, worried just how much attention and accommodation he would continue to need as he got older. But like the Beatle song, “All You Need is Love,” the Shapiros found that Piglet quickly responded to lots of hugs, a predictable daily schedule, and their friendly pack of rescued canines.
“The other dogs were very accommodating to Piglet,” says Shapiro. “They learned to play with him gently, and they brought him into their playtime, being careful to include him when he lost track of where they were.”
In three months, his screams had subsided as he became more and more comfortable with his new life. Videos on Piglet’s You Tube Channel happily playing with dogs at least twice his size. And his endearing, sweet personality has made Piglet a rock star with a large social media reach including 256,000 Instagram and 181,000 Facebook followers.
“My initial idea when adopting Piglet was to raise awareness for rescued dogs and specifically disabled dogs and other animals,” says Shapiro. “Piglet’s Facebook page and then Instagram account were effective platforms for increasing exposure and fundraising for rescue organizations. Our Piglet Mindset™ educational program began early on so we had a dual purpose for our social media accounts. As the educational outreach grew and expanded, followers were eager to support our work with donations. Creating our nonprofit organization, Piglet International Inc., was the next step in growing Piglet Mindset and continuing to educate and advocate for dogs with disabilities.”
Like many stars, Piglet loves having an audience and laps up being the center of attention. Because he needs all that plus almost constant physical affection, the family takes him almost everywhere they go.
Though that can be somewhat limiting, Shapiro says she doesn’t mind.
“He is a happy little dog,” she says. “He brings joy to everything he does, and he has a way of making sure we all join him and pause for a smile. Piglet has turned out to be a sweet, happy, and inspiring little dog for people all around the world. I have absolutely no regrets. It’s a lot of fun to be his mom.”
In David Bell’s newest mystery, “Kill All Your Darlings,” Connor Nye’s life is rapidly deteriorating. Indeed, the college professor, who is still mourning the death of his wife and son five years earlier, knows he might not make tenure unless he publishes something quick. Lost in grief, it’s an impossible task.
But fate seems to toss him a life line. Madeline, one of his best students, disappeared suddenly two years ago after spending the night drinking and chatting with Connor and other students at a local bar. Connor doesn’t remember much about how the night ended; he was too inebriated. But he does remember Madeline’s manuscript, an amazingly written thriller about a murder.
When Madeline doesn’t reappear and it seems more likely that Connor may lose his job, he submits her work as his own. It seems safe enough. No one has heard from her in two years, she didn’t use a computer to write her manuscript, and he is the only one with a copy.
After celebrating the book’s publication at a get-together where he’s showered with praise, and believing that his life is finally back on track, Connor arrives home to find he has an uninvited guest.
Madeline has returned and she wants Connor to pay for stealing her manuscript. He doesn’t have the money she wants; it’s already gone to pay bills.
To make matters worse, Madeline isn’t the only unexpected visitor at the Nye home.
A police detective arrives the next morning as Connor is on his way to class. She questions Connor about his book and how the descriptions of the murder match exactly with the facts police have been withholding. Now, Connor not only risks losing his job and his reputation, he also appears to be a suspect in an unsolved murder. He grapples with whether to tell the truth or not, and decides not to.
The phrase “kill all your darlings” most likely originated with Nobel Prize Laureate William Faulkner, who said, “In writing, you must kill all your darlings.” Or in other words, kill any characters, even the ones you love, that don’t move the story forward. The characters that do remain in Bell’s book include a licentious department head who preys on young, vulnerable female students. It’s a subject that Bell also explores in his book.
“Since the Me Too movement, though we’ve become aware of all these situations, it still happens,” he said, noting that what the existing power structures will do to keep these situations quiet is for the school’s sake not the students’.
David Bell virtual event
What: Parnassus Books will host author David Bell for a discussion of his book “Kill All Your Darlings,” with May Cobb, author of “The Hunting Wives.”