Comedy Comedy Comedy Drama 

“Bob Odenkirk’s career is inexplicable,” writes Danielle Dresser of Anderson’s Bookshop where Oldenkirk will be signing copies of his new book. “And yet he will try like hell to explicate it for you. Charting a “Homeric” decades-long “odyssey” from his origins in the seedy comedy clubs of Chicago to a dramatic career full of award nominations—with a side-trip into the action-man world that is baffling to all who know him—it’s almost like there are many Bob Odenkirks. But there is just one and one is plenty.

Dresser goes on to say that Bob embraced a life in comedy after a chance meeting with Second City’s legendary Del Close. He somehow made his way to a job as a writer at Saturday Night Live. While surviving that legendary gauntlet by the skin of his gnashing teeth, he stashed away the secrets of comedy writing—eventually employing them in the immortal “Motivational Speaker” sketch for Chris Farley, honing them on The Ben Stiller Show, and perfecting them on Mr. Show with Bob and David.

In Hollywood, Bob demonstrated a bullheadedness that would shame Sisyphus himself, and when all hope was lost for the umpteenth time, the phone rang with an offer to appear on Breaking Bad—a show about how boring it is to be a high school chemistry teacher. His embrace of this strange new world of dramatic acting led him to working with Steven Spielberg, Alexander Payne, and Greta Gerwig, and then, in a twist that will confound you, he re-re-invented himself as a bona fide action star. Why? Read this and do your own psychoanalysis—it’s fun!

Featuring humorous tangents, never-before-seen photos, wild characters, and Bob’s trademark unflinching drive, Comedy Comedy Comedy Drama is a classic showbiz tale told by a determined idiot.

From Comedy to Drama with Bob Odenkirk

Actor, comedian, writer, director, producer and Naperville nativeBob Odenkirk will be at the Yellow Box Theater at the Community Christian Church (1635 Emerson Lane, Naperville, IL) on Thursday, March 3rd at 7pm CT, in conversation with Kim “Howard” Johnson, to discuss his new memoir, Comedy Comedy Comedy Drama. In this “essential” (Entertainment Weekly), “hilarious” (AV Club) memoir, the star of Mr. ShowBreaking Bad, and Better Call Saul opens up about the highs and lows of showbiz, his cult status as a comedy writer, and what it’s like to reinvent himself as an action film ass-kicker at fifty.

Tickets are now available, with limited quantities available! For more information, please visit https://OdenkirkAndersons.eventcombo.com. Book details are listed below.

Windy City Blues

In her fun very readable Windy City Blues (Berkley 2017; $16), Chicago author Renee Rosen again takes another slice of the city’s history and turns it into a compelling read.

Rosen, who plumbs Chicago’s history to write such books as Dollface, her novel about flappers and gangers like Al Capone, and What the Lady Wants which recounts the affair between department store magnate Marshall Field and his socialite neighbor, says she and her publisher were racking their brains for her next book which encompassed Chicago history.

“She suggested the blues,” says Rosen, who didn’t have much interest in the subject.

But Rosen was game and started her typical uber-intensive research.

“When I discovered the Chess brothers, who founded Chess Records, I fell in love,” she says, noting that when researching she was surprised about how much she didn’t know about the subject despite her immersion in Chicago history for her previous books. “I thought this is a story.”

“As part of my research, I drove the Blues Highway from New Orleans to Chicago,” she says. “I also met with Willie Dixon’s grandson and with Chess family members.”

Combining fact and fiction, Rosen’s story follows heroine Leeba Groski, who struggling to fit in, has always found consolation in music. When her neighbor Leonard Chess offers her a job at his new Chicago Blues label, she sees this as an opportunity to finally fit in. Leeba starts by answering phones and filing but it soon becomes much more than that as she discovers her own talents as a song writer and also begins not only to fall in love with the music industry but also with Red Dupree, a black blues guitarist.

Windy City Blues was recently selected for Chicago’s One Book project, a program designed to engage diverse groups of Chicagoans around common themes. Rosen says she is very honored to be a recipient.

“I put my heart and soul into this book,” she says. “I think it’s a story with an important message. In it are lessons of the Civil Rights movement, what it was like for Jews and people of color along with the history of the blues and the role of Jews in bringing the blues to the world. After all, as the saying goes: Blacks + Jews = Blues.”

An American Summer: Love and Death in Chicago by Alex Kotlowitz

Chicago author Alex Kotlowitz has always been willing to tackle the big issues that impact our society and in his book An American Summer: Love and Death in Chicago, he looks at one summer in Chicago to tell the story about violence throughout the United States. Kotlowitz discussed his book with Northwest Indiana Times correspondent Jane Ammeson.

What was the inspiration for writing An American Summer? And can you give us a synopsis of the book in your own words?

I feel like I’ve been working my way to this book for a long while. When some thirty years ago I was reporting There Are No Children Here, it was the violence that unmoored me.  The numbers are staggering. In the twenty years between 1990 and 2010, in Chicago 14,033 people have been killed, another 60,000 wounded by gunfire. I’ve long felt we’ve completely underestimated the effect of that violence on the spirit of individuals and the spirit of community. And so I set out to tell the stories of those emerging from the violence and trying to reckon with it, people who are standing tall in a world slumping around them. The book is set in one summer, 2013, and it’s a collection of 14 stories, intimate tales that speak to the capacity of the human heart, stories that I hope will upend what you think you know. 

How did you choose who to talk to? How did you find them? And how did you go about choosing which stories to use?

I spent that summer speaking with as many people as I could. I’ve been reporting on many of these neighborhoods for thirty years, so I visited with many of the people I knew. I embedded with a homicide unit. I spent time at a trauma center. I hung out at the criminal courthouse. I spent time on the streets, in churches, at taverns, halfway houses. I was looking for stories that surprised me, that knocked me off balance, hoping they might do the same for readers. And as is often the case, I wrote about people who on some level I admired. For who they are. For how they persevered. For their character. I wrote about people who I came to deeply care about. I wrote about stories that made me smile and that left me anger. I wrote about stories that left me with a sense of hope. 

You’ve been writing about violence for 30 years? Do you ever get worn out by it?

It’s by no means all that I’ve written about, but, yes, a lot of my work has dealt with the profound poverty of our cities. I write out of a fundamental belief that life ought to be fair, and so much of the time I land in corners of the country where life isn’t fair at all. Do I get worn out by it? Sometimes. But I come away each time inspired by the people I meet along the way. 

I know the number of murders has gone down but so has the number of murders and shootings that are solved. Any thoughts on why that is? And does that have an impact on the continuing violence?

Murders have gone down from the early 1990s, though we saw an unsettling spike in 2016 which approached those numbers of 30 years ago. And, yes, you’re right the clearance rate on homicides and shootings are remarkably low. You have a three in four chance of getting away with murder in Chicago, and a nine in ten chance of getting away with shooting someone and wounding them. Those numbers aren’t a misprint. That inability to solve violent crimes only erodes even further the distrust between communities of color and the police. It erodes even further that there will be justice. And as a result when there’s a sense that there’s no justice, people take matters into their own hands.

What would you like readers to take away from your book? 

The humanity of the people I write about. I’m a storyteller. My ambitions are reasonably modest. I guess my hope in the end is after reading these stories, readers will think of themselves and the world around just a little bit differently. And maybe it will nudge along politicians and policy makers to act, to recognize the urgency. 

Is there anything else you’d like readers to know?

 One final thought. This book takes place in Chicago, but Chicago, despite its reputation, isn’t even among the top ten most violent cities in the country. I could’ve written this book about so many other cities. What’s more, these stories speak to who we are as a nation. In the wake of the tragedies at Newtown and Parkland, we asked all the right questions. How could this happen? What would bring a young man to commit such an atrocity? How do the families and the community continue on while carrying the full weight of this tragedy? In Chicago, in Baltimore, in New Orleans, in the cities across the nation, no one’s asking those questions. What does that say about us? 

An American Summer is available in hard cover, digital, and as an audiobook.

Tune in Tomorrow to Hoosier History Live as I Discuss America’s Femme Fatale: The Story of Serial Killer Belle Gunness

If you have time, tune in tomorrow Saturday, October 23rd when I talk to host Nelson Price of Hoosier History Live about my new book America’s Femme Fatale: The Story of Serial Killer Belle Gunness. The show airs live from noon to 1 p.m. ET each Saturday on WICR 88.7 FM in Indianapolis. Or you can stream audio live from anywhere during the show.

America’s Femme Fatale: The Story of Serial Killer Belle Gunness

A Norwegian farm girl, her family so poor, they often went hungry, is seduced by a rich landowner’s son. But despite her dreams, he has no plans to make her his wife. Abandoned, she sees only one path forward or she’ll sink into the black hole of her family’s poverty. But her first goal is revenge and after the landowner’s son dies a horrid death amidst whispers of poison, she boards a boat and sails to America. Norway’s gain is America’s loss.

Her name changed through the years but after the mysterious deaths of two husbands, numerous men, women, and children, she goes down in his as Belle Gunness.  An entrepreneur whose business was murder, Gunness felt no qualms seducing men for their money and dispatching them with her axe—filling her farmland with her victims.

As her crimes were about to be discovered, her solid brick home burnt to the ground and workers battling the smoke and flames discovered the bodies of her three children and a woman without a head.  Was it Belle  or did she get away with one more murder, absconding with close to a million dollars. It’s a question the world has been asking since 1908.

America’s Femme Fatale: The Story of Serial Killer Belle Gunness (Indiana University Press/Red Lightning Oct. 4, 2021; $20).

What people are saying about America’s Femme Fatale.

Ammeson uses astute research and punchy prose to chronicle Belle’s transformation from destitute farm girl to one of history’s most egregious female serial killers. . . . Compact and captivating, this salacious tale of murderous greed during the early twentieth century will be devoured quickly by true-crime fans.– Michelle Ross ― BOOKLIST / Amer Library Assn

It’s a mesmerizing cautionary tale I had to keep reading despite the late-night hour. . . . Ammeson writes narrative nonfiction with a sense of drama to propel us along the unbelievable.– Rita Kohn ― NUVO

America’s Femme Fatale is the detailed story of Belle Gunness, one of the nation’s most prolific mass murderers. Ammeson recounts the horrific events with dry wit and corrects many errors found in previous accounts. Gunness stands out in an infamous crowd because she was a woman; she killed men, women and children rather than choosing from among one narrow section of victimology; and her murders seem to have been rooted in greed rather than lust, the serial killer’s usual motive.– Keven McQueen, author of Murderous Acts: 100 Years of Crime in the Midwest

Jane Ammeson will be on Hoosier History Live talking to the show’s host Nelson Price about Belle Gunness. The show airs live from noon to 1 p.m. ET each Saturday on WICR 88.7 FM in Indianapolis. Or stream audio live from anywhere during the show. For those who miss the show, it’ll be available by podcast as well.

Pullman: The Man, the Company, the Historic Park by Kenneth Schoon

               Kenneth Schoon, professor emeritus at Indiana University Northwest, has immersed himself in the history of the Greater Chicago/Northwest Indiana area for decades, writing books starting from the area’s earliest beginnings such as “Calumet Beginnings: Ancient Shorelines and Settlements at the South End of Lake Michigan” and “Swedish Settlements on the South Shore of Lake Michigan.”

               In his latest book, “Pullman: The Man, the Company, the Historical Park” (History Press 2021; $21.99), he showcases what once was among  the ultimate company town and is now a Chicago neighborhood. George Pullman, whose last name became synonymous with plush railroad sleeper cars, believed that happy workers were productive workers and so developed his town along the western shore of Lake Calumet in the late 1800s.

               I thought I knew company towns having grown up in East Chicago, Indiana my friends whose parents worked at Inland Steel lived in Sunnyside in Indiana  Harbor. On the East Chicago side there was Marktown built in 1917 by Clayton Mark, for those employed at the company he owned, Mark Manufacturing.

               But they’re different Schoon tells me. Both Marktown and Sunnyside were residential neighborhoods. But Pullman was an actual town with its own schools, library, churches, Masonic Hall, businesses, and even a band. Garbage and maintenance was paid for by the company.

In 2015, then President Barack Obama proclaimed Chicago’s Pullman District as a National Monument, encompassing many of its surviving buildings such as the former Pullman Palace Car Works, the Greenstone Church, formerly the Greenstone United Methodist Church, the A. Philip Randolph Pullman Porter Museum, workers’ homes, the Pullman Administration Clock Tower Building, Arcade Park, and the Florence Hotel, named after Pullman’s oldest daughter.

               Though I vaguely knew about the town of Pullman, it had never been on my radar as a place to visit even though it was less than eleven miles from where I lived.

               “The same with me,” says Schoon who remembered going to the Florence Hotel, one of the fanciest structures in town, to eat when young never to return until hired by the Historic Pullman Foundation to write about the history of the town for their brochure.

               Today we talk about experiences, but that’s what Pullman was all about back then. His sleeper cars were luxurious, but the brand also meant great service. After the Civil War, he hired recently emancipated African American men, to work as porters becoming the largest employer of Blacks in the U.S. Their jobs were to attend to passengers needs by serving food and drink, shining shoes, tidying up the train, making sure the temperature was just right and that lighting fixtures worked.  Black women were hired as maids to take care of women guests on the most expensive cars—babysitting children, helping with their baths, giving manicures, and fixing their hair.

               Pullman was no dinky little town. The Arcade Theatre could accommodate 1000 people and Schoon says it was, for a time, the finest theater west of the Hudson River.

               With the advent of automobiles and highways, the need for sleeper cars lessened. But luckily many of Pullman’s historic buildings remain including the Florence Hotel which is currently closed for renovations but expected to open within a few years.

               “The old stable is now a store,” says Schoon. “The old fire station is still there and of the 600 residential buildings all but three are still standing.”

               In an interesting tidbit, Schoon notes that Pullman was originally dry because George Pullman was a Prohibitionist. Luckily for those who  wanted to imbibe, Kensington, the town next door had 23 taverns at the time.

               Kenneth Schoon will be signing copies of his book during the Labor Day Weekend at the Grand Opening of Pullman National Monument Visitor Center and Pullman State Historic Site Factory. For more information about times and other events, visit www.pullmanil.org

George Diamond’s: A Northwest Indiana Classic

            In 1924, Peter Levant’s opened what was one of Whiting’s famous “perch palaces,” a place that served freshly caught perch right from Lake Michigan. They also advertised such menu items as steak, chicken, and, of course, this being The Region, frog legs—mostly likely from nearby Lake George.

            Indeed, frog legs were so in demand that Vogel’s—which was just down the street and totally classy—raised their own frogs for legs in the lake. But that’s a different story.

            Located at 1247 Calumet Avenue, Levent’s became the home of Juster’s Charcoal Broiled Steaks and then later George Diamond’s. Though my mom liked to cook, my parents were totally into eating out as well and though its been years and years, I remember going with them to George Diamond’s. It was the kind of place where everything was overlarge—the steaks, the salads, the charcoal flames, and even the menus.

            That Diamond (yes, there was a George Diamond) even opened a place in Whiting shows the town’s status as a food destination. Indeed, around that time, there were a lot of great restaurants–and I’m sure I’m leaving a lot of places out–Vogel’s, Phil Smidt’s, Margaret’s Geneva House, Al Knapp’s Restaurant and Lounge, and the Roby Café. But Diamond was international. Besides his flagship restaurant at 630 S. Wabash Avenue in Chicago that was said to have cost over $1 million to renovate in a style I call 1950s swank, all red velvet and red upholstery, he had places in Las Vegas, Palm Springs, Antioch, Illinois on a golf course, and Acapulco, Mexico.

            What I remember most was the house salad dressing which they bottled and sold on the premises. It was so unique that even now it has a cult-like online following with people  searching for the recipe.  It wasn’t Russian and it certainly wasn’t French or at least not the orangish French dressing we buy in bottles now. Diamond’s dressing was an almost translucent reddish pink. And if the recipe I found online is close to the original, it’s main ingredient was tomato soup.

  There’s nothing left of Diamond’s empire today. Diamond died in 1982 at age 80 and the building housing the Wabash Avenue restaurant went up in flames in 2006.  But people still remember that dressing.

George Diamond’s salad dressing

  • 1 (10-ounce) can condensed tomato soup
  • 2/3 cup oil
  • 1/2 cup each: white vinegar, sugar
  • 1 small onion, peeled and grated
  • 1 clove garlic, peeled and halved
  • 1 tablespoon dry mustard
  • 1/4 teaspoon each: salt, ground black pepper

Place undiluted soup, oil, vinegar, sugar, mustard, salt, pepper, onion and garlic in a blender or food processor fitted with a metal blade. Cover and blend or process on high speed until pureed, about 2 minutes. Serve chilled. Store covered leftovers in refrigerator.

            I’ll be signing copies of my book Classic Restaurants of The Region at Miles Books. 2819 Jewett Avenue in Highland on Saturday, August 21st from 11:30-3pm. For more information, 219-838-8700.

               Hope to see you there.

The Big 50: The Men and Moments That Made the Chicago Cubs

         Carrie Muskat, who started covering the Chicago Cubs in 1987, has written The Big 50: The Men and Moments That Made the Chicago Cubs (Triumph Books 2021; $16.95).

         “Really there are more than 50 moments because it was hard to limit them so it’s 50 plus,” Muskat tells me in an early morning phone interview. “I always say I’m bad at math.”

Totally immersed in baseball and the Cubs, Muskat’s latest book has an introduction by Anthony Rizzo, the first baseman for the Chicago Cubs and a three-time All-Star who in 2016 helped the Cubs win their first World Series title since 1908. Her other books include Banks to Sandberg to Grace: 5 Decades of Love & Frustration with Chicago Cubs.

Carrie Muskat

Described as “the perfect primer for new Cubs fans and an essential addition to a seasoned fan’s collection,” the book recounts the living history of the team and features such greats as Ryne Sandberg, Ron Santo, Anthony Rizzo, and Ernie Banks among others.

 Muskat, who has conducted numerous interviews with players, at times takes a different approach in her book by not only relying upon her own interactions but also by talking to people who worked behind the scenes about the moments included in  The Big 50. It was a way to gain a new perspective on some of the players such as Sammy Sosa that she knew so well.

“I talked to broadcaster Craig Lynch about Pat Hughes, the radio play-by-play announcer for the Chicago Cubs and got his insights,” she says, as a way of giving an example.

In some ways, the those decades covering the Cubs was like being part of a large family.  In her time writing about Major League Baseball—she started in 1981—Muskat says she’s watched players like Kerry Woods, the two-time All Star former Cubs pitcher who is now retired, grow. The same goes for Anthony Rizzo.

“I’ve enjoyed talking to people’s families, like Anthony’s, just talking about things,” she says. “I covered Shawon Dunston and then his son.”

In her book, Dunston shares his insight on Andre Dawson in Moment 16 of  titled “The Hawk.” Dunston recalls having a locker between Dawson and Ryne Sandberg, who he describes as the quietest guys in the world. “Combined, they didn’t say more than 20 words a day, and I’m not exaggerating.”

At the time, Dunston says he was “talk, talk, talk, talk, talk, talk.” But by being between them, he learned to be quiet and think about the game before the game. “I learned how to be a professional because of Andre Dawson and Ryne Sandberg.”

These scenes from the book support Muskat’s contention that players are really just people.

“That’s one of the biggest things,” she says. “Even if they’re superstars, they’re just people when you get to know them.”

There have been changes. Reporters used to sit in the dugout but not anymore.

“It’s not as relaxed,” she says. “My favorite time is spring training which is more relaxed.”

Muskat is freelancing now but she still is on the sports beat.

“There’s always a story, every player has one,” she says.

Disposing of Modernity: The Archaeology of Garbage and Consumerism during Chicago’s 1893 World’s Fair

            When Rebecca Graff, a PhD student at the University of Chicago in need of a dissertation, was told by a professor that the view before them from the school’s Ida Noyes Hall was “a hundred years ago the center of the world,” she didn’t see the bucolic splendor of Jackson Park hugging the Lake Michigan shoreline. Instead her sights went to what lay beneath and that was the 1893 World’s Columbian Exposition, an unexcavated but huge part of Chicago’s history. Held in celebration of the 400th anniversary of Christopher Columbus arrival in the New World, the exposition attracted 27 million people who paid 21.5 million for admission in a six-month period. Designed by noted landscape architect Frederick Olmsted, the 630-acre park had more than 65,000 exhibits from 46 countries and introduced to the public such new inventions as a 250-foot Ferris Wheel, Aunt Jemima’s Pancake syrup and Wrigley’s Juicy Fruit Gum. Electricity, still rare back then, was used to light up the expo at night.

Rebecca Graff

            Graff managed to turn that casual remark into her dissertation, “The Vanishing City: Time, Tourism, and the Archaeology of Garbage and Consumerism at Chicago’s 1893 World’s Columbian Exposition” and then into a book,  “Disposing of Modernity: The Archaeology of Garbage and Consumerism during Chicago’s 1893 World’s Fair” (University Press of Florida co-published with The Society for Historical Archaeology).  Both were about the archaeological dig she undertook of a site in Jackson Park near the Museum of Science and Industry that seemed most promising for archaeological fair finds.

Surprisingly what seemed an almost guaranteed bureaucratic nightmare in terms of permits and permissions all fell into place but then Graff was told she couldn’t start without a million dollars in liability insurance. Not likely for a graduate student.

            “I needed to turn the excavation into a job,” she says. And so she did, teaching a field class at the University of Chicago where she and her students excavated the site.


View from the 1893 World’s Columbian Exposition’s South Canal looking northeast. The Machinery Building, the Columbian Fountain, and the Electricity Building are on the left, with the Agriculture and the Manufactures and Liberal Arts Buildings on the right. The Illinois State Building’s dome is in the center, and the flatter dome of the California State Building is to its left. Image is by an anonymous photographer, 1893. From the Smithsonian Institution Archives

            Expecting to find those things that archaeologists love—pottery shards, a coin here and a twisted spoon there—Graff and her team were stunned to unearth a section of the Ohio Building, a stately Beaux Arts-style edifice with an elaborate portico entranceway that served as a meeting place for Ohioans. It was among the best of all the other findings they uncovered such as a collar stud, religious medal, cruet tops indicating that food was made on site, and lots of pipes. Though to hear Graff describe them, they’re all treasures and keys to the past.

            As for the building, contemporary sources said it no longer existed.

            “Even the New York Times wrote it had been thrown into the lake,” says Graff, who instead found segments in a ditch where it might have been used as landfill.

            Coincidentally, Graff later discovered she wasn’t the only family member to dig at the site, so had her great grandfather, Morris Graff, a Russia immigrant who dug ditches at the fair.

            Graff would like to return to Jackson Park for further exploration but was denied a permit the second time around. She says it’s surprising that Chicago doesn’t have a city archaeologist as other big cities do. But she’s certainly doing her fair share of uncovering urban remains. She is currently excavating the Charnley-Persky House Museum, a National Historic Landmark located on Astor Street in the Gold Coast  designed Chicago  architect, Louis Sullivan and his young draftsman Frank Lloyd Wright.

Cover image from Disposing of Modernity: The Archaeology of Garbage and Consumerism during Chicago’s 1893 World’s Fair by Rebecca S. Graff. Gainesville: University Press of Florida, 2020.

Laziness Does Not Exist: Drilling Down on Procrastination

         “This isn’t getting the work of the world done,” my mother used to tell me when I was young and talking on the phone to friends instead of cleaning my room or putting away the dishes or whatever else needed to be done. I still don’t know exactly what the work of the world is, but it sounds so ominously important it made me believe that my laziness was in some ways contributing to world failure.  

         Her words still echo through my life. Even now, though I know that world will go on even if I watch a whole night’s worth of “Downtown Abbey” episodes, I remember what my mother said and I turn off the T.V.

         Now, after reading “Laziness Does Not Exist” (Atria 2020; $27) by Devon Price, PhD, a Clinical Assistant Professor, Loyola University Chicago, I may reconsider that long ago lesson.

         “Laziness does not exist means there is no slothful, shameful feeling inside of us called laziness that is to blame when we fail or disappoint someone or simply lack motivation,” says Price after I ask him to define the book’s title.  “There are always structural, external factors as well as inner personal struggles that explain why someone is not meeting goals.”

Instead, Price says that often when someone is written off as lazy, the problem is actually that they’ve been asked to do far too much, and not given credit for the immense work that they are doing.

 “Fighting depression is a full time job,” he says. “Raising children in a global pandemic is a full-time job. Taking a full course load while working a job is too much to deal with flawlessly. So many people are overwhelmed and overworked, yet because they have been asked to do more than they can handle, these incredibly ambitious people are branded as lazy.” 

So how do we deal with these feelings?

Price recommends first observing the situation neutrally while trying to determine where the feeling is coming from and what do you have to learn from it.

“Sometimes, we lack motivation to do something because the task just does not matter to us — so ask yourself, do I really have to do this task? Does it matter to me, or have I just been told that I should do it? When someone is feeling lazy and beating themselves up for it, that is almost always a sign they need to cut a bunch of obligations out of their life, so they have time to rest and reorient themselves, to focus on their true priorities. “

        Self-efficacy, a confidence in one’s own ability to get things done, also comes into play.

Price describes this as a very grounded form of confidence — the confidence in one’s own capabilities.

“When a person has high self-efficacy for a particular skill or task, they trust their instincts, and know how to break a large task down into smaller parts, so they’re way less likely to get stuck in doubt, perfectionism, or inhibition,” he says.  “A lot of times when someone is struggling or procrastinating such as failing to write a paper for class, for example, it’s because they don’t trust themselves to do it well enough, or they don’t know how to take the big project and divide it into tiny bites. Unfortunately, we live in a very perfectionistic culture where lots of teachers and managers micro-manage and nitpick the people they are supposed to be mentoring, so we actually destroy a lot of people’s self-efficacy in the process. “

Price believes that we also need to act like all human lives have equal value and deserve equal support with no proof needed.

“On a more personal level, we need to approach other people with generosity and trust,” he says.  “I don’t need proof that a person on the corner asking for change deserves my money. I can trust that if he’s in that spot, he clearly needs it, and I don’t get to decide what his needs at that moment look like or how he lives his life. In general, we need to stop policing one another and viewing all needs and limitations as suspicious.” 

What: Devon Price Virtual Events

When: Thursday, February 25 at 7 p.m. CT

7:00 PM CT                                                   

Hosted by Loyola University / Chicago

Link to join in: https://luc.zoom.us/j/87434549563

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