When my friend David Brown asked me to read “The Year of the Locust” and give him my opinion, I was less than excited. Written by Terry Hayes, a former journalist, and Emmy-nominated screenwriter who wrote the screenplays for, amongst others, Mad Max 2 – Road Warrior, Dead Calm, Mad Max Beyond Thunderdome, Payback, From Hell, and Vertical Limit, it definitely didn’t sound like my kind of book. I hadn’t seen any of the movies he’s written nor read his previous bestselling novel, “I Am Pilgrim,” published ten years ago to rave reviews.
But friendship is friendship and if David, a book publicist that I’ve known for years, wanted my input, I’d give it a go. Downloading the book on my Kindle, I sat down with a cup of coffee and started reading.
Two hours later my coffee was cold, but I was too entranced by Hayes’s book to make another cup as I followed CIA agent Ridley Kane, a Denied Access Area spy for the CIA meaning he can go wherever and do whatever needs to be done.
Kane is sent to the baddest of the badlands, the remote and geographically hostile 1600-mile border where Pakistan, Iran, and Afghanistan meet. Known as one of the most dangerous spots in the world, it’s a lawless place, the perfect place for robbers, murderers, and terrorists to hide in its many caves.
Kane’s job is to extricate an informant who has information about an upcoming Armageddon-like terrorist attack. He’s too late. The informant has been captured by The New Islamic Army of the Pure, and his family—a wife and two daughters staked out and left to die in the terrorist’s camp.
If Kane followed protocol, he would fade back into the desert but he can’t leave the mother and daughters to die and shoots their captors, setting them free. A noble act but one that makes it personal with Abu Muslim al-Tundra, known as the locust and formerly a chief with al-Qaeda and ISIS and an extremely deadly adversary. It’s al-Tundra’s brother that Kane has killed.
“The Year of the Locust” took Hayes ten years to write and it was when he was stuck in Portugal because of the COVID quarantine, away from his wife and three children, that he finally finished the 250,000 word novel.
“I couldn’t go anywhere for two years,” he says.
But Kane definitely goes places and among the many fascinating aspects of his book are his descriptions of locations I didn’t know existed.
I mean who knew about Baku, which is where one of the climactic scenes from the book occurs? A city on the Caspian Sea in what is now Azerbaijan, the Rothschilds, and the Nobels (of the Swedish family, founders of the Nobel prize) established a thriving oil industry there in the 1870s, building mansions as they sucked the oil out of the ground.
So why did it take ten years to write this novel which was due out in 2017?
“I don’t care how long it takes, or how hard it is, I just want it to be good,” says Hayes, who threw out the entire first manuscript for “The Year of the Locust” and began again.
Hayes says he always wanted to be the J.R.R. Tolkien of the spy genre and Locust has some aspects of Tolkien in its storyline. I found the spy technology of what the CIA can accomplish fascinating but was able to segue easily when it became more science fiction-like with its time-bending take. There is also a bit of romance between Kane and his wife Rebecca, a feisty emergency room doctor and the mother of his children.
Loquacious and full of anecdotes, my conversation with Hayes lasted for three hours and ended only because I had another appointment. We chatted about his life in Hollywood when a movie writer (he spent a long time talking to a couple who looked familiar and only later learned they were Ringo Starr and his wife, actress Barbara Bach), his children (“I wish I could get them to listen to me”), and his wife (“she’s rolling her eyes now at what I just said”).
I obviously owe David a big thanks.
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