In Andrea Bartz’s mystery novel, The Lost Night, Lindsay Bach believes she remembers the night her once-best friend Edie committed suicide. It’s seared into her brain. Or so she thinks. Over dinner, a long ago friend who has just moved back to New York suggests that she wasn’t with the group like she believes. Could that be true? Getting a friend to hack into her old email account, Bach backtracks a decade ago to when she and her group of friends were post graduates starting jobs, consuming too much alcohol, partying too hard and falling in love—often.

With each new revelation about that time and her part in the days leading up to Edie’s death, Bach has to employ the skills she uses to fact check magazine articles for her job to do the same in her life. The questions are many, but the most important ones are did the captivating and beautiful Edie really commit suicide or was she murdered? And did Bach have something to do with her death that she can no longer remember.
Bartz, who earned her master’s degree at Northwestern University and the author of Stuff Hipsters Hate, her blog turned book, says she wanted to write a book like those she likes to read—tomes by female mystery writers like Tana French, Gillian Flynn and Jessica Knoll. For inspiration, she turned to a time in her life—New York City in 2009. Like her favorite writers, the novel struck a note and even before the book was published at the end of February, it had already been optioned by Cartel Entertainment as a limited series with actress Mila Kunis’ Orchard Farm set to produce.
“It was a crazy time and we were partying while the world was burning,” she says of her time as a 23-year-old. “I thought of this time and how bizarre it all was and then interlaid it with a mysterious death. It opens up a certain subculture that I hope is interesting to readers, it certainly was introspective for me.”
The novel, atmospheric, intense and intriguing, reflects an interest in psychology and memory that has always interested Bartz—and Bach, the character Bartz describes as being most like her. In an early chapter, Bartz tells a lover how drunk blackouts mean that the incidents that occurred never were recorded in our memories. They don’t exist and yet they happened.
“We’ve all had those incidents where someone will describe an event and say you were there and you don’t remember it,” says Bartz, noting there’s something both creepy and disorienting about how there’s no hard and fast truth just different memories
So, it is with Bach, who is shaken out of her of complacent lifestyle by having to grapple with the truth—as elusive as it is.
Ifyougo:
What: Author Andrea Bartz will be answering questions about her new novel The Lost Night, and magician Jeanette Andrews will be wowing the audience with a short performance.
When: Wednesday, March 13 at 7-9 pm
Where: The Book Cellar, 4736-38 N Lincoln Ave, Chicago, IL
Cost: Free
FYI: (773) 293-2665; words@bookcellarinc.com












for an Eye. The fifth in the Stieg Larsson’s Millennium series, Salander sentenced to prison for several months after she protects an autistic child in her typical law-breaking but righteous way. But even prison bars can’t stop Salander from assisting muckraking journalist Mikael Blomkvist as he investigates The Registry, a secret group of doctors conducting illegal experiments on twins. It’s all personal for Salander, who has an evil twin named Camilla.
“If I have a gift it is probably to have the ability to write in many ways,” says Lagercrantz. “My sister who is an actor sometimes calls me an actor-writer, I go in to roles. My journalism past helped me a lot. I always say if you want to write good journalism use literary techniques, and if you want to write good fiction use journalistic research. Of course, it helped me to understand the life of Michael Blomkvist. In my heart, I am always a reporter.”
Kathleen Barber’s thriller Are You Sleeping? (Gallery Books 2017; $26) tells the story of Josie Buhrman who thought she had put the trauma of her early life behind her, when a hit investigative podcast about her father’s murder brings the past back, compelling her return to the small Illinois town of Elm Park where she grew up.


just-released “The Child” and her best-selling novel, “The Widow,” both psychological thrillers, Barton had to switch gears.
a living for more than 30 years, but what I was writing came from other people. Journalism is listening, probing, testing other people’s words and telling a story concisely and often under 500 words,” she says.