Shelf Life

Category: Fiction

  • Thriller writer channels anger into her books

    Thriller writer channels anger into her books

    Layne Fargo

    Scarlet Clark, the lead character in Layne Fargo’s newest psychological thriller, “They Never Learn,” is not your typical English professor. While she takes her studies and students seriously, for 16 years she’s also been on a mission, to eliminate men at Gorman University she considers to be bad guys. By planning carefully and keeping the murder rate down to one a year, she’s managed to avoid discovery.

    That is until her last killing — the poisoning of a star football player accused of rape — doesn’t go so well. She posted a suicide note on the guy’s Instagram account, but it turns out you can’t kill a star athlete without some ramifications.

    Suddenly, the other suicide notes written by Scarlet are under review and her current project — dispatching a lewd department head who also is her competitor for a fellowship she desperately wants (not all of Scarlet’s killings are devoid of self interest). Trying to forestall discovery, Scarlet insinuates herself into the police investigation while under pressure to get away with this next kill.

    But it’s even more complex than this. After all, it is a Fargo book, and the Chicago author who wrote the well-received “Temper” likes the complexities and power struggles inherent in relationships.

    In this case, adding to the drama is the transformation of Carly Schiller, a freshman who has escaped an abusive home life and now immerses herself in studies as a way of avoiding life. But when Allison, her self-assured roommate, is sexually assaulted at a party, Carly dreams of revenge.

    Fargo, vice president of the Chicagoland chapter of Sisters in Crime and the cocreator of the podcast Unlikeable Female Characters, has a little bad girl in her too.

    “I love the sinister title of ‘They Never Learn,’” she said, adding that this, her second thriller, has everything she loves in a book — sexy women, Shakespeare references and the stabbing of men who “deserve” it.

    Fargo was enraged at what she saw as the injustice of the appointment of a man accused of rape into a high position.

    “I channeled that all-consuming anger into a story where men like that are stripped of their power, where they get exactly what they deserve,” she said.

    This are article also ran in the Books section of the Northwest Indiana Times.

  • They Never Learn

    They Never Learn

                  Scarlet Clark, the lead character in Layne Fargo’s newest psychological thriller, They Never Learn, is not your typical English professor. While she takes her studies and students seriously, for 16 years she’s also been on a mission, to eliminate men at Gorman University she considers to be bad guys. By planning carefully and keeping the murder rate down to one a year, she’s managed to avoid discovery. That is until her last killing—the poisoning of a star football player accused of rape—doesn’t go so well.

    She’d posted a suicide note on the guy’s Instagram account, but it turns out you can’t kill a star athlete without some ramifications. Suddenly, the other suicide notes written by Scarlet are under review and her current project—dispatching a lewd department head who also (not all of Scarlet’s killings are devoid of self-interest) is her competitor for a fellowship she desperately wants.  

    Trying to forestall discovery, Scarlet insinuates herself with the police investigation while under pressure to get away with soon with this next kill.

      But it’s even more complex than this, after all it is a Fargo book and the Chicago author who wrote the well-received Temper, likes the complexities and power struggles inherent in relationships.

     In this case, adding to the drama is the transformation of Carly Schiller, a freshman who has escaped an abusive home life and now immerses herself in studies as a way of avoiding life. But when Allison, her self-assured roommate, is sexually assaulted at a party, Carly dreams of revenge.

    Fargo, Vice President of the Chicagoland chapter of Sisters in Crime, and the cocreator of the podcast Unlikeable Female Characters, has a little bad girl in her too.

    “I love the sinister title of They Never Learn,” she says, adding that this, her second thriller, has everything she loves in a book—sexy women, Shakespeare references and stabbing men who deserve it.

    She was enraged at what she saw as the injustice of the appointment of a man accused of rape into a high position.

     “I channeled that all-consuming anger into a story where men like that are stripped of their power, where they get exactly what they deserve,” she says.

    It’s a timely topic and Fargo is excited that PatMa Productions optioned the TV rights for her book, and she’ll be writing the pilot. 

    That’s a form of sweet revenge.

    Layne Fargo Virtual Book Events

    When: Thursday, October 22; 6 to 7:30 p.m. CT

    What: Layne Fargo in conversation with Allison Dickson, author of The Other Mrs. Miller, to celebrate the release of her new novel, They Never Learn.

    This event is hosted by Gramercy Books in Columbus, Ohio, and will be livestreamed on their Facebook page, with participants able to ask questions of both authors in the latter portion of the program.

    For more information and to stream: https://www.facebook.com/GramercyBooksBexley/events/?ref=page_internal

    When: Sunday, October 25, 1 p.m. EST

    What: Fiction: Witches and Other Bad Heroines by Boston Book Festival

    To register: https://www.crowdcast.io/e/bad-heroines/register

  • Finding hope while studying penguins

    Finding hope while studying penguins

    A quirky adventure following an unusual heroine, “How the Penguins Saved Veronica” tells the story of wealthy 85-year-old Veronica McCreedy, who lives alone in a Scottish mansion. Feisty, stubborn and at times whimsical, McCreedy decided to use her large inheritance in funding a group of scientists who study penguins in Antarctica.

    But all that money comes with one condition — she wants to meet the penguins.

    “The main inspiration of my book was a friend of mine who’s obsessed with penguins,” author Hazel Prior said. “When her husband died, she found an extraordinary strategy of coping with her grief: she decided to travel round the world visiting penguins, her aim to get photos of every penguin species in its native habitat. She’s had such fun with her mission. I’ve always felt that the natural world can bring us healing in many ways, but I decided a story about healing through penguins would be extra-special.”

    Prior said she decided to make Veronica older because she’s been incredibly inspired by people she knows who have started learning new things, from harp-playing to sky-diving, in their 80s and 90s.

    “I love their ‘it’s-never-too-late’ attitude,” she said. “And they have experienced so many changes in their lives. Having an octogenarian as my main character gave me the chance to delve back into wartime history, which is another interest of mine.”

    It’s also important for other reasons.

    “Our society leads us to believe that it’s better in every way to be young,” Prior said. “It would have us think that at 30 the best part of your life is over, at 40 nobody notices you anymore and from 50 onwards you may as well not exist — particularly if you’re a woman. This is so wrong. I admire people who are hungry for life, who go out and seek new experiences regardless of their age. For example, a friend of mine started learning the harp at the age of 90. And my neighbor’s father took up skydiving in his 80s. These are extreme examples, but we never stop dreaming, learning or having new adventures. Every year that passes adds to our rich bank of experiences. The logical conclusion is that the older you are, the more interesting you are — so wouldn’t an octogenarian be the perfect heroine?”

    Speaking of harps, when Prior was a student in Scotland, she found an old broken Celtic harp in a cupboard and decided to learn how to play it, which wasn’t quite as easy as it sounded.

    “But the harp has always been a source of magic and wonder for me,” she says. “It’s an instrument with a sound that’s just so evocative and moving. The Celtic harp was the inspiration for my debut novel, ‘Ellie And the Harp Maker.’”

    Asked if she has any special take-aways for readers, Prior answered that she would like to highlight the importance of caring for this planet that we share with so much amazing wildlife. Adélie penguins are just one of the many species threatened by climate change.

    “But overall, ‘How the Penguins Saved Veronica’ is a fun book,” she said. “Penguins are not only sweet and charming; they also set us a wonderful example of determination, gusto and cheerfulness in the face of hard conditions — a lesson that’s very relevant in our current times. If I could sum up the message of the book in one word, that word would be ‘hope.’”

  • Love and Theft

    Love and Theft

             Starting fast—a motorcycle convoy roars through the lobby of the Wynn Las Vegas, staying only long enough to scoop up millions of dollars’ worth of stones from a classy jewelry store before riding away—Stan Parish’s latest novel “Love and Theft” (Doubleday 2020; $19.49 Amazon price) never slows down.

             Told from multiple points of view, we follow the police as they work to solve the crime as well as the thieves planning their next one last heist and not getting busted. We move with the action from Vegas to Jersey and then to the luxe vacation destination of Tulum, Mexico. Along the way there are weird stops such as one at the home of a doctor who injects willing subjects with a hallucinatory drug that helps them calm down while he and his wife, wearing wired masks, communicate their insights while taking notes.

             It’s all breathless but at the same time human. Neither cops nor bad guys are cartoon characters here. Parish makes them real while juggling the fast-paced plot.

             His interest in mystery-thrillers began when he was around 10 or 11 and pulled a copy of “Dog Soldiers” from his dad’s bookshelf. Parish was ordered to put it back, his father telling him it was full of sex, drugs and violence. Of course, the book only stayed on the shelf until his parents went to bed.

             Inspiration also comes from stories he hears from what he reads and hanging out.

             “In April 2007, two stolen Audi A8s smashed through the glass façade of the Wafi Mall in Dubai,” says Parish. “In a marble rotunda, the white car rammed the secure entrance of Graff Jewelers, while the black car spit out men in masks with automatic weapons.”

             It was the work of a successful gang called the Pink Panthers and became the basis for the opening sequence of “Love and Theft.” But the book is also fueled by what he calls being a diviner though instead of finding water he has “a sixth sense for strange subcultures, suspicious characters, and after-after parties.”

             A few years ago, in Marbella, Spain he was invited to a party at the home of several young bullfighters and during the evening “divined” that some of their income derived from storing drugs for a local cartel. That experience too became a plot point in the novel.

             The former editor-in-chief of The Future of Everything at The Wall Street Journal whose writings have appeared in the New York Times, Esquire and GQ, Parish earned a brown belt in Brazilian Jiu Jitsu and moved to Los Angeles from New York a few years ago. But now he’s living in Europe, waiting for the pandemic to end. He’s dedicated to his craft. Planning on finishing his thriller in Malaga, Spain, he accidentally left his computer, notes and outline behind at JFK International Airport in New York City and while calling lost and found everyday hoping it would turn up, tapped out sections his novel on his cell phone his while riding in cabs late at night. His life, in other words, seems to track his fast-paced novel.

  • Author Sonali Dev’s new novel is an Indian twist on Jane Austen’s ‘Pride and Prejudice’

    Author Sonali Dev’s new novel is an Indian twist on Jane Austen’s ‘Pride and Prejudice’

    In the 300-room Sagar Mahal, the Ocean Palace built by her great-times-four grandfather on the Arabian Sea, 13-year-old Trisha Raje is coached by her father not to be overwhelmed by the sorrow she sees at a school for the blind but instead find a solution, so she doesn’t feel badly.

    And so, she does. Before long, Trisha has created a global charity that performs eye surgeries on the needy and then becomes San Francisco’s premier neurosurgeon, a woman with immense skill but so lacking in social graces that many in her family are not talking to her, as she once inadvertently jeopardized her older brother’s fast-track political career.

    But that isn’t Trisha’s only difficulty in Sonali Dev’s newest book, “Pride, Prejudice and Other Flavors,” an Indian take on Jane Austen’s classic, “Pride and Prejudice.”

    Dev switches up the focus between Trisha and DJ Caine, a rising-star chef whose cancer-stricken sister is a patient of Trisha’s. Trisha is a descendent of Indian Royalty, while Caine, a Rwandan/Anglo-Indian, belongs to a much lower social class — the classic Austen-style mismatch.

    To paraphrase Austen, Dev writes, “It is a truth universally acknowledged that only in an overachieving Indian-American family can a genius daughter be considered a black sheep,” and the book reflects classic Austen, with its subtle ironic humor and the structured setting required in any well-to-do aristocratic English or Indian milieu.

    Trisha has broken the three ironclad rules of her family: Never trust an outsider, never do anything to jeopardize your brother’s political aspirations and never, ever, defy your family.

    Trisha must cope with falling in love with Caine, saving his sister and ensuring that she will not somehow disgrace her family again.

    Dev, who is married with two teenagers and lives in Naperville, says she’s been entranced with Jane Austen’s book since watching the Indian TV adaptation of “Pride and Prejudice,” called “Trishna,” in the 1980s when she was a middle-schooler.

    “I went straight to the library and checked out “Pride and Prejudice” and read it over and over,” she says.

    As for writing, Dev says she wrote before she could even read, making up stories and characters, noting she wrote and acted in her first play when she was 8. “Writing has always been with me,” she says.

    She grew up in Mumbai though the family traveled a lot as her father was in the military.

    “I was always the new kid on the block with a book,” she says.

    She continues to read and write at an amazing speed.

    “I am in fact waiting to get the edits back for my new book,” she says, noting that writing is an escape, a way of putting yourself in the shoes of someone not like you.

  • Scott Turow: The Last Trial

    Scott Turow: The Last Trial

                  Sandy Stern is a fragile 85 after surviving several devastating bouts of cancer, dealing with several other ailments and the deaths of his two wives. But when his longtime friend Kiril Pafko asks Stern, a noted defense lawyer to represent him on charges of inside trading and murder. Stern though doubtful as to whether he has the physical strength and mental acuity to do so. But Stern owes Pafko, a brilliant medical doctor, a Nobel Prize-winning scientist and one of the creators of g-Livia, touted as an amazing breakthrough in cancer treatment.  Stern knows the latter firsthand as Pafko successfully treated him with g-Livia putting his aggressive cancer into remission.

                  But Stern was one of the lucky ones. g-Livia also can have deadly side effects, a fact that Pafko is said to have tried to hide by altering test data. He also sold off great amounts of stock in his company that is making the drug, hence the insider trading charge.

                  And so begins the opening of The Last Trial (Grand Central Publishing), Scott Turow’s latest courtroom thriller. Turow, who is retiring from his legal practice next month, has worked as a lawyer in Chicago for decades. He also is the bestselling author of Presumed Innocent, The Burden of Proof, Innocent and other novels, several of which have been made into movies and in all have sold more than 40 million copies.  Turow, who isn’t afraid to throw his characters into dark places where all appears lost, is also credited with inventing the modern legal thriller and it’s easy to see why when reading this absorbing story which delves into drug research, development, testing and FDA approval of pharmaceutical drugs.  Though none of these subjects sound fascinating, Turow, who did what he calls a “daunting amount of research,” writes about it in such a way that the process becomes a page turner.

                  “It also obviously has a weird relevance about rushing pharmaceuticals to market like we are today,” he says, referring to the vaccines said to be on the horizon to treat COVID-19. This being a Turow novel, there are twists and turns, ups and downs and surprises. Even when you think you’re keeping up with the plot twists, he usually manages to stay a step or more ahead. And yet in the end, it all makes sense.

                  “If you want to get philosophical about it, some of twists and turns stems from graduate school,” says Turow who received an Edith Mirrielees Fellowship to Stanford University’s Creative Writing Center where he attended for two years before entering Harvard Law School where he graduated cum laude. “I’ve always been aware of the artifice of the novel where there is, to some extent game playing with the reader—cat and mouse—which I enjoy doing. I also enjoy reading those stories too.”

                  Though Turow is retiring he’ll still do a lot of pro bono work, always a passion for him.  And he is currently working on another novel. This one is centered around Pinky, Sandy Stern’s granddaughter and paralegal, a bright but erratic young woman who is working at solving the hit and run accident that severely injured Stern several months earlier. Was it an attempt to kill him? Unfortunately, Pinky also has penchant for indulging in illegal drugs. A definite break-out personality, Turow says he’s committed himself to Pinky as his major character but he worries about recreating her inner voice. But it’s a problem he will solve.

                  “I looked at Pinky from the outside in this book,” he says. “I’ll find my way inside in the next.”

  • We Are All the Same in the Dark

    We Are All the Same in the Dark

             Life hasn’t been kind to Wyatt Branson in the last decade but there’s always Trumanell, his older sister, homecoming queen and once the prettiest girl in the small Texas town where they live who is always there for him. So when Wyatt brings home an abandoned young girl he found lying out in the hot sun alongside a road and brings her home, Trumanell understands his need to keep her safe.

             But there’s a problem here and it’s not the young girl who Wyatt calls Angel as she refuses to talk, not even to give her name. The big trouble is that Trumanell disappeared ten years ago on the same evening their abusive father also vanished. That was also the night Wyatt’s girlfriend Odette was in a car accident and lost her leg.

             So begins Julia Heaberlin’s newest mystery thriller “We Are All the Same in the Dark” (Ballantine 2020) Heaberlin, who worked for two decades as a journalist for the Fort Worth Star-Telegram and The Detroit News started reading thrillers when very young. Her favorite authors included Stephen King, Tana French, Thomas Harris, Daphne du Maurier, Edgar Allan Poe and Patricia Highsmith. Writing a novel was always her dream but it never seemed to happen.

             “My husband encouraged me to take a chance,” says Heaberlin.

             And so she did.

             “I was very lucky,” she says, noting that she had struggled with how to write fiction, often getting stuck when outlining. “Then I read Stephen King’s book on writing. He says go with the character and so I did to the point that sometimes I don’t know what’s going to happen next when I’m writing.”

             Her novels include “Black-Eyed Susans” and “Playing Dead,” each, as she describes them, an ode to Texas, her beloved home state.

             Heaberlin likes writing about strong, resilient female characters, women like Odette, who hasn’t let the loss of a limb slow her down and is now the youngest police detective in town. Hearing that there’s a young girl at Wyatt’s house, she stops by to see what’s happening. Resistant at first, Odette starts the bonding process after noticing Angel is missing an eye and immediately shows she’s missing a leg. That starts their friendship, one where Odette, like Wyatt, wants to protect Angel and is afraid a state agency might send her back to her abusive father.

             Because she is strong, Odette has found the courage to go on with her life despite losing her leg. But Wyatt has not. Suspicion has always surrounded him because of his missing family and it only increases when a pseudo-documentary mixes facts and fiction to make it look like he’s murdered them.

             For Odette, saving Angel again involves her in the mystery of what happened the night Trumanell disappeared. Unfortunately, as she begins digging deeper into the past, someone is working equally hard to keep her from learning the truth.

     #mystery #thriller #bookstagram #love

  • The Herd

    The Herd

             Founded by the beautiful and charismatic Eleanor Walsh, Herd is an elite, glamorous all-female co-working space in New York City. It’s a scene where employees are considered celebrities and a lure for young and ambitious women. Katie Bradley believes she has a serious in there, her older sister Hana was Eleanor’s roommate in college and is head of Herd’s public relations department.

             But Eleanor, who always treated Katie like a younger sister, isn’t so sure that she has what it takes for Herd. After all, Katie had a spectacular book deal that fell apart and for the last year she’s been living in Kalamazoo, Michigan (which for this uber group of New York women is like time spent on the Mongolian Plains) taking care of her mother who was undergoing cancer treatments.  For her part, Katie, desperate to jumpstart her failing career, is secretly planning on making Eleanor the subject of her new book. With all these factors in play, on the evening when Eleanor says she will be making a huge announcement, she disappears instead.

             And so begins The Herd, the second thriller written by Andrea Bartz, who the Los Angeles Times called a master “of the female thrillers.”

             As Katie, Hana and other staff members attempt to discover what happened to their missing boss, they unearth secrets not only about her but each other. It seems that everyone had something to hide.

             “I had the idea for The Herd a few years ago, when I was trying to come up with a great setting for a mystery: somewhere exclusive and tightly knit, with its own complex social dynamics,” says Bartz whose first novel, The Lost Night, was optioned for TV by actress Mila Kunis’ production company, Orchard Farm.  “A lightbulb went off when I pictured The Herd with the H-E-R in purple, and I was off and running. The Herd is a dark and twisty take on commercial feminism, ambition, and the pressures of being a woman in the world, and hopefully it’s a super fun read.”

             Bartz, who never outlines and allows her many plot twists to “develop organically as she writes,” says she learns about her characters while working on her first draft.

             “Trust me at the beginning they were much less interesting,” she says. “Once I’d hammered out the theme I wanted to explore–how hard it is for women to succeed in a man’s world, I wanted all the female characters to have very different approaches to success.”

             Where the book goes is as much a surprise to Bartz as it is to her readers.

             “To give one of many examples, in the first chapter, someone scrawls misogynistic graffiti in the Herd; until the very end, I had no idea who had done it, or how, or why,” she says. “But somehow, the pieces come together at the eleventh hour—and then I go to work revising so that all the pieces align. It’s not very time-efficient, but it works for me.”   

             Female empowerment and the ensuing backlash is an important theme in Bartz’s book.

             “I’m frequently annoyed and exhausted by the double standards of how women are supposed to behave,” she says. “We’re supposed to be competent but not bossy, ambitious but not work-obsessed, agreeable but not weak, authoritative but not intimidating, pretty but not superficial, and so on. Men don’t have to bend themselves into a pretzel to be liked, the way that women do. The pressure to be perfect is such a huge mental and emotional drain on ambitious, high-achieving professional women, and I hoped to get readers thinking about the consequences of holding half the population up to impossibly high standards. All that said, I mostly hope it’s a fun, escapist read.”

    Sidebar: Virtual Book Events with Andrea Bartz

             Working with influencers, bookstores, podcasts, and Facebook groups, Bartz has set up virtual events that are livestreamed (and, ideally recorded so people can watch them later), to keep in touch. For the most part, she says, she chats about the book as she would in conversation with someone in an in-person bookstore event.

             Though it’s not as good as meeting people in real time, Bartz says it does allow folks from all over the world to tune in.

             Check out her virtual events at AndreaBartz.com/events.

  • Walk the Wire by David Baldacci

    Walk the Wire by David Baldacci

    A graduate of the University of Virginia Law School, David Baldacci first worked as a trial lawyer, and later a corporate lawyer in Washington, D.C.

    David Baldacci

    But he was a writer long before that, starting at age 8 when his mother gave him a notebook so he could write down his stories. He credits her with providing the spark that led him to become a New York Times best-selling author. Baldacci’s 40 adult novels have sold more than 130 million copies, are available in 45 languages and in 180 countries. Several have also been adapted for TV and movies.

    Besides that, he’s found time to pen seven children’s novels. And if that isn’t impressive enough, consider this: he’s not yet 60. That means, in addition to writing all those trial briefs when he worked as an attorney, Baldacci has turned out about two books a book a year since his first, “Absolute Power,” was published in 1996. (Clint Eastwood later directed and starred in the film adaptation.)

    As for Baldacci’s mother, well, she confessed that she gave him that notebook not to set him on a career as an author but to keep him quiet.

    Baldacci’s latest book, Walk the Wire, continues the story of Amos Decker, a former football player whose injuries have rewired his brain so that he has some very strange abilities, including remembering everything, even stuff he wants to forget. Oh, and he sees the recently dead in electrifying shades of blue.

    Now an FBI agent, Decker and his partner, Alex Jamison, find themselves trying to solve a gruesome murder in a small North Dakota town gone explosively big because of fracking.

    “The body of a woman has been found,” said Baldacci, giving a brief overview of his sixth novel in the Decker series. “The only thing is, she’s already been autopsied. The oil boom town is full of danger on a number of levels for Decker.”

    Baldacci has had an interest in boom-and-bust towns for awhile.

    “They’re as close as we’re going to get to the wild, wild west again, at least hopefully,” he said. “And it was a way to take Decker out of his comfort zone and see what he could do under really dire situations.”

    Decker’s total recall is actually a real, if exceedingly rare, syndrome called hyperthymesia. As for that blue body thing, well, it does exist, but maybe not in the way Decker experiences it.

    “Synesthesia is the term, and it refers to a comingling of sensory pathways in the brain,” said Baldacci. “Decker seeing electric blue around death was one manifestation I came up with. The more common ones are seeing numbers in color or sounds in color.”

    Besides the Amos Decker series, Baldacci has nine other series going, as well as numerous stand-alone books. When I ask him if he ever gets confused — he often is penning at least two books at one time — his answer is no.

    “I created them all, so it’s as easy as remembering your kids. They’re all unique to me, ” he said, noting that he is currently writing two books — the next Atlee Pine thriller, and then, going back in time to 1949, the sequel to “One Good Deed.”

    If they’re like his kids, then maybe it’s not fair to ask if he has a favorite. After all, you wouldn’t ask a parent that. But I do anyway.

    “I like all of my characters, or else I wouldn’t spend time with them,” he responded. “Decker is probably the most fun one to write about. It’s hard to predict what he’s going to say or do, and I like that about him. No parameters.”

    That statement brings us to another fascinating aspect of Baldacci’s writing. He really doesn’t do more than mini outlines for his books.

    “I like to let the plot and characters grow organically,” he said. “I like revelations and epiphanies along the way, those aha moments. If I surprise myself while writing the story, I’m going to knock readers on their butts.”

  • Pretty as a Picture

    Pretty as a Picture

    In Pretty as a Picture, Elizabeth Little’s latest thriller, film director Marissa Dahl accepts a job to work on an isolated island off the coast of Delaware with the notoriously erratic director Tony Rees. When she arrives on the set, Dahl doesn’t know much about her new job except that the movie is about a woman who was murdered there two decades ago. But there’s more going on besides a megalomaniacal director and an old unsolved murder.  Rees wants the movie to convey, in graphic detail, the woman’s death; numerous scandals are about to erupt and before long, another woman is found dead. Will she be next, Marissa wonders? 

             Extremely talented Marissa, who has high functioning-like autistic social interactions, is befriended by two completed wired-in teenaged girls when she goes in search of peanut butter. The girls are convinced that there’s more to the local murder than meets the eye. Teaming up they work to solve the mystery.

             Little knows Hollywood. Her husband had many miserable years there working in the business (he’s now getting a degree in social worker) and she’s met her share of outrageous and egotistical directors. That in part is why she wrote this, her second mystery.

             “With Pretty as a Picture, I had known for a couple of months that I wanted to write something about the film business—I live in Los Angeles and am married to an ex-filmmaker, so it was a subject that was very close at hand,” says Little. “I tried writing a few chapters, working out some of the plot lines, but nothing really took root until I realized that my main character was a film editor who was far more comfortable in the company of her favorite movies than in that of real-life people. I wish I could say that inspiration struck suddenly—or even efficiently—but I think I just had to write my way into the realization.”

             Little describes herself as writing in a highly immersive first-person perspective.

             “I want my readers to be in both the heads and the bodies of my narrators, to really feel what they’re feeling,” she says. “And in order to do this, I work really hard to put myself into a place, mentally, where I’m able to credibly conjure up the physical and emotional sensations of my narrators. I don’t just put myself in their shoes, in other words—I put myself in their muscle and sinew and skin. It’s a little extreme at times, to be honest, and I wonder at times if I’m Daniel Day Lewissing it—when I finish a day of work, it can really feel like I’m finally coming up for air.  It’s probably far too pretentious an approach for a thriller writer, but it seems, so far, to be working for me.”

             Little may not like Hollywood, but she does like Marissa.

    “She’s particularly dear to me because she’s so deeply uncool and sweet and weird,” she says. “She’s vulnerable and awkward and loyal and hilarious and annoying and really, really good at her job. I love her. I hope readers love her, too.”