“Ladies of the Lights” Presentation by Michigan Maritime Expert Dianna Stampfler Showcases Female Keepers of Michigan’s Historic Beacons
“Ladies of the Lights” Presentation Showcases Female Keepers of Michigan’s Historic Beacons
Michigan lighthouse historian and author Dianna Stampfler has announced a series of presentations of her popular “Ladies of the Lights” in honor of Women’s History Month. This program, which includes readings from newspapers and autobiographies, as well as countless historic photos, sheds light on the dedicated women who served at lights around the state dating back as early as the 1830s.
These were women before their time, taking on the romantic yet dangerous and physically demanding job of tending to the lighthouses that protected the Great Lakes shoreline. Given this was also a government job, their involvement was even more unique. In all, nearly 50 women have been identified who excelled in this profession over the years.
One of the most notable was Elizabeth (Whitney) VanRiper Williams who took over the St. James Harbor Light on Beaver Island after her husband, Clement, died while attempting to rescue the crew of a ship sinking in the harbor. She later became the first keeper of the Little Traverse Lighthouse in Harbor Springs, retiring after a combined 44 years of service.
There is also Julia (Tobey) Braun Way who outlived two husband keepers at the Saginaw River Rear Range Lighthouse in Bay City, and some say who still haunts the place today. Anastasia Truckey served as the interim keeper at the Marquette Harbor Lighthouse in the 1860s while her husband, Nelson, was off serving in the Civil War. Mary Terry served 18 years before she died in a fire at the Sand Point Lighthouse in Escanaba in 1886 – her death still shrouded in mystery 137 years later.
White, who has written more 30 books, including the very successful haunted home Tradd Street Series, now has moved her spooky action from Charleston to New Orleans as we follow Nola Trenholm, who buys a Creole cottage that needs extensive work only to discover that some of the previous occupants are still living there — if living is the right term to apply to people who are dead.
But you can’t say Nola wasn’t warned. Her stepmother, who hears and sees ghosts like the rest of us see cars on the streets, tours the house with her before she signs the paperwork and suggests that it would be better to burn it down than then to move in.
As if that wasn’t enough of a warning, while they’re looking around there’s a sudden scream and an explosion of antique blue bottles — a seemingly spontaneous event with no possible explanation as to why it happened.
It turns out that the home was the scene of an unsolved murder, and to help her figure out what to do, Nola has to rely upon Beau Ryan, who can communicate with the spirits, something Nola unfortunately is unable to do. But Beau’s past is mysterious. His sister and parents disappeared during Hurricane Katrina and he is also connected to the murder that took place in Nola’s new home.
Nola has her own issues as well. A recent college graduate, like her parents she has addiction issues. Her father, Jack Trenholm, a best-selling novelist, has been able to overcome his demons, but her mother, a drug addict, didn’t.
White, who says she definitely believes in ghosts, has never seen one herself.
“And I’ve definitely put myself in places that are haunted,” she said.
Her grown son has and he is definitely not happy about it.
Is it hard to write about ghosts if you’ve never seen one, I ask White when we chat on the phone?
It turns out it is, since White never plans or plots her books, so what the characters say and do, whether they’re still alive or not, just flows as she writes.
Her human characters can be difficult and so can the spirits.
”I don’t use the ghosts to be scary, I use them as characters — it’s like having a neighbor,” she said. “I love how they tie in the past and the present and I love how they can be useful. Don’t we all wish we could ask for help from the other side?”
But, of course, she continues, ghosts can’t always express themselves any better than their human counterparts.
In this penultimate installment (book #6) in the series, we find OCD Realtor (who also happens to be able to speak with dead people) Melanie Middleton and true crime mystery writer Jack Trenholm happily married and living with their toddler twins and teenage daughter, Nola, in their historic home on Tradd Street. Christmas is approaching and all seems to be going well for them—-except for a few money problems, Jack’s writing career taking a curveball, and an unpleasant specter seen haunting Nola’s bedroom that seems to be connected to the ancient cistern being excavated in their back yard.
New York Times bestselling author Karen White’s iconic series about a quirky psychic realtor (yes, you read that right!), set in historic Charleston, continues this winter. A long-anticipated gift to her fans, this holiday season White released her first ever Christmas novel.
Jane Ammeson, who writes the Shelf Life column for The Times of Northwest Indiana and shelflife.blog, interviewed Karen about THE CHRISTMAS SPIRITS ON TRADD STREET, the sixth book in her Tradd Street Series,
each new release, Karen’s national platform grows. Her previous installment in
the series, The Guests on South Battery (2017), was a New
York Times hardcover bestseller. Her books have been featured on Southern Living, Reese Witherspoon’s Draper James
blog, Late Night with Seth Meyers, and more. The author of over twenty
books and 12 New York Times bestsellers, she has almost two million books in print in fifteen
JA: Since you’re not a realtor
and you’re not seeing ghosts (we don’t think so, anyway!), do you have much in
common with Melanie—like are you super-organized with lots of charts and spread
KW: Let’s just say that people who know me who have also read the
Tradd Street series seem to think that Melanie _is_ me. I’m going to
neither confirm nor deny, but let’s just say that I do love to be organized and
I also adore sweets (although Melanie’s metabolism is simply something I aspire
to). She and I are both ABBA fans and neither of us can text without many
JA: You grew up all over the world but started off in the south and think of yourself as a Southern girl. Why did you choose historic Charleston for the setting of your series?
KW: My parents (and extended family) are all from the South—mainly
Mississippi—which is where I get my Southern roots. I went to college in
New Orleans (Tulane) and actually planned to set the series there.
However, the year I started writing the first book was 2005, the year
Katrina wreaked so much havoc on the city and her citizens. I knew that
in the series I was planning to write that this sort of natural disaster and
its repercussions wouldn’t fit. I would return to New Orleans and the
storm for The Beach Trees, but for the series I needed to find another
Southern city that had gorgeous architecture, lots of history, and plenty of
ghosts. Charleston was an obvious choice.
JA: Your Tradd Street series novels seem to require a lot of
research into older homes, renovations and history, can you tell us about that?
KW: Since I was a little girl I’ve been obsessed with old houses.
They didn’t need to be grand or even well-maintained to make me beg my
mother to pull the car over to the curb so I could get a better look.
When we moved to London, we were fortunate to live in an Edwardian
building on Regent’s Park. It had leaded glass windows, thick mahogany
doors, and ceiling medallions to make a wedding cake envious. Living in
that flat made me believe that I truly could hold a piece of history in my
hands. My obsession continues with my daughter who holds a master’s
degree in historic preservation from the College of Charleston and currently
works as an architectural historian. She actually appears in the last two
Tradd books (as well as Dreams of Falling) as graduate student Meghan
JA: Can you give readers who may not have read any of your other
books about Melanie and Jack a description of The Christmas Spirits on Tradd
KW: In this
penultimate installment (book #6) in the series, we find OCD Realtor (who also
happens to be able to speak with dead people) Melanie Middleton and true crime
mystery writer Jack Trenholm happily married and living with their toddler
twins and teenage daughter, Nola, in their historic home on Tradd Street.
Christmas is approaching and all seems to be going well for them—-except for a
few money problems, Jack’s writing career taking a curveball, and an unpleasant
specter seen haunting Nola’s bedroom that seems to be connected to the ancient
cistern being excavated in their back yard. Unwilling to burden Jack with
one more problem and distract him from his writing despite promises that they
wouldn’t hold secrets from each other, Melanie takes it upon herself to attempt
to solve the mystery behind the ghostly presence—with unsettling results that
Melanie may or may not be able to resolve.
JA: Are your ghosts based upon real life (if you can call it that
when it comes to ghosts) tales of hauntings in Charleston?
When visiting Charleston, I love going on haunted walking tours
(especially the graveyard ones) and always pick up fascinating tidbits to be
used later in my books. I’ve never borrowed a ghost story for my books,
but tend to pick and choose certain parts of favorites and mix them together to
fit into my stories.
JA: Do you live in an older home?
KW: Sadly, no. My husband isn’t a fan of old houses (and in my
first book, the derogatory remarks Melanie makes about old houses came right
from his litany of why he dislikes old houses—mostly having to do with the
expense of heating them). Every house I’ve lived in since the old
Edwardian building in London has been brand new. I’m hoping my daughter
and I can get sway him to our side when it’s time to move again.
Hopefully to Charleston.
JA: Besides a great story and enjoyable read, are there any other
take-aways you’d like for readers to get from The Christmas Spirits on Tradd
KW: This installment can be read on its own. However, I do
think that readers might enjoy the series more if read in order starting with
the first book. The books each have their own mystery to be solved, but
the growing cast of characters and Melanie’s growth through the series is an
important element and best understood if readers meet her in book #1.