CrimeReads: 10 New Books Coming Out This Week ‹ CrimeReads. https://crimereads.com/10-new-books-coming-out-this-week-january-3-2022-2/
Authors Who Write Outstanding Mystery Series and Stellar Standalones https://flip.it/hDieLn
Cyberthrillers Cyberkill (2018) and Cryptokill (2020) are books one and two of the Cybercode Chronicles. His fifth novel, The Three-Legged Assassin, featuring assassin Lance Garrett, was released in February 2022. Ross is an artificial intelligence and cybersecurity consultant. He and Francie split their time between Indiana and Florida.
Ross Carley, a former engineering professor who served as a military intelligence officer and was the CTO of a defense contractor, is also the author of four books in the computational intelligence area.
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A gifted linguistic professor who is fascinated by such extinct languages as Old Norse and Old Danish, Val Chesterfield is so frightened of the world that she has immured herself at the university where she teaches and treats her overwhelming anxiety with pills and bottles of Amaretto and merlot.
Beyond that, she’s mourning the loss of her marriage and the death and possible suicide of Andy, her twin brother who died of exposure on Taaramiut Island off Greenland’s northwest coast.
And so, when an email from Wyatt Speeks who is overseeing the scientific lab on Taaramiut, pops up in her inbox, Val’s first thought is to hit delete. But despite her own initial forebodings, she opens it instead.
Wyatt is asking her to listen to the attached vocalizations of a girl they extracted from the ice and who has, amazingly and impossibly, thawed out alive. Playing the sounds over and over again, Chesterfield is intrigued. The girl is not speaking any of the Greenlandic dialects spoken in the frigid part of the world where Wyatt is located. Indeed, despite Val’s vast repertoire and knowledge, she cannot recognize the language at all.
Wyatt wants Val to fly out and study the girl’s language. But that entails she leave her office, her shelves of books, and her everyday routines. When Val visits her elderly father, a noted climate scientist who has always been disdainful of her, he dismisses that the girl could have been thawed out alive and that his daughter has the spunk to travel so far away.
“You’ve never been out of Massachusetts,” he tells Val. But he also wants her to go, to find out the truth about Andy’s death and delivers an ultimatum. If she doesn’t journey to Greenland, then he doesn’t want to ever see her again.
The winds blow over 50 miles an hour on Taaramiut across a landscape barren of anything but snow, glaciers, water pocked with ice floes, deep seemingly bottomless crevasses, and herds of caribou. No native people live this far north so where did the girl come from and how long was she encased in ice?
Totally isolated, the small community consists only of Wyatt and his assistant Jeanne, Val and a young couple who have won a coveted spot to dive in the frigid waters for specimens. And, of course, the girl who once was frozen and is now strangely alive.
But it’s not just the isolation, the young girl who speaks a strange language, and being where her brother died outside, alone in the bitter cold, that is unnerving. Wyatt seems to have other hidden agendas and Jeanne may be too good with knives—and she has so many. Even the couple become uneasy, urging Val to just play along until the plane arrives to take them home.
With the disappearance of her anti-anxiety medication, Val is unable to sleep and maybe unable to reliably process what is happening around her. She takes risky chances and she also has become maternally attached to the young girl as she learns the meaning of her words. What is part of Val’s uneven emotional state and what is real become less defined. She believes Wyatt’s stated quest–to learn how to prevent a cataclysmic climate change, one where sudden outbursts of frozen winds are freezing people to death almost instantaneously around the world–parallel Andy’s own dedicated studies.
But Val also senses a scary undercurrent and the more she learns, the more she wonders if Andy really committed suicide by wandering off into the cold or whether someone locked him outside. To add to her distress, the young girl is ill and is trying to tell Val in her own language what she needs to survive.
What can she do to save her? And what can she do to save herself?
This review originally appeared in The New York Journal of Books.
About the Author
Erica Ferencik is the award-winning author of the acclaimed thrillers The River at Night, Into the Jungle, and Girl in Ice, which The New York Times Book Review declared “hauntingly beautiful.” Find out more on her website EricaFerencik.com and follow her on Twitter @EricaFerencik.
Breathless, Amy McCulloch’s debut adult thriller, is set on the world’s eighth highest mountain in Nepal. Cecily Wong, is a struggling journalist given the opportunity to interview legendary mountaineer Charles McVeigh but with one catch: she has to summit the mountain as part of his team first.
I had a chance to ask McCulloch, a Chinese-White author, born in the UK, raised in Ottawa, Canada, now based in London, UK. questions about her book including how much she and Cecily are similar. But first a little more about McCulloch, the youngest Canadian woman to climb Mt Manaslu in Nepal – the world’s eighth highest mountain at 26,781ft, is the co-author of the #1 YA bestselling novel THE MAGPIE SOCIETY: One for Sorrow, and has written seven solo novels for children and young adults. She’s made bestseller lists in several countries around globe and her books have been published in fifteen different languages.
Now the interview.
JA: Tell us how much the character Cecily is like and unlike you?
AM: While Cecily and I share some similarities (we are both mixed race, Chinese and White, and both writers), I wanted Cecily to be more of a novice to the world of mountaineering than I was when I went to Manaslu, so she could be a window into the high altitude world for readers who might be unfamiliar with the sport. Yet I also drew on many of the challenges I faced to create her character: imposter syndrome – in the mountains and in my career, and a struggle to belong.
You mention being, like Cecily, at a nadir in your career and life when you first embarked first on walking and then on climbing. Can you tell us about that? Has physical exertion always been restorative for you?
Actually, turning to physical exertion as a means of healing was a surprise to me! Before my divorce, I was not a particularly active person, although I always loved travel and adventure. However, when my husband left, for the first time I felt truly lost – like my entire future was crumbling in front of me. I didn’t know what to do with myself, so while I processed these big emotions I decided to do something good for my body. I flew out to the Kerry Way – Ireland’s longest way-marked trail – and walked over 250km. I was amazed by what my body was capable of, so I ventured next to Nepal to trek the Annapurna Circuit. It was there that I fell in love with the big mountains, sparking a curiosity in me to see where my feet could take me.
How did you go about preparing to climb an 8,000 high peak?
When I said “yes” to climbing Manaslu with Nims Dai (as part of his 14 Peaks, Project Possible mission – later a Netflix series), I knew I was about to embark on the most difficult challenge of my life. I already knew I could handle high altitudes and difficult weather conditions, having successfully summited Aconcagua (the highest mountain the Americas) a few months before. But this was next level. I embarked on an intense training regime at home in London, tackling multiple ascents of the only hill in the area (London is a remarkably flat place!) and I headed up to North Wales several times to take 1:1 mountaineering lessons with British mountaineering guide Jon Gupta. It also took a while to get all the necessary gear together. I was particularly surprised how difficult it was to find extreme high altitude mountaineering gear designed for women.
How did you come up with the concept of your book and the characters? You mention that you always intended to write a book about your climb but what inspired you to make it a mystery/thriller? And did that occur when you were actually climbing?
I had been a full time author for a few years before I started on my mountaineering journey, writing science fiction and fantasy for young adults. The mountains are such an inspirational place that I knew that there would be a story in there somewhere, but I had no idea what shape that story would take. At first, I toyed with a scifi idea – maybe the first expedition to Olympus Mons, the highest mountain on Mars. It wasn’t until I was actually living at base camp in Manaslu that I realized the novel should be a thriller. It struck me that the mountain was the perfect setting: the isolation, the lack of authority figures, the risks of the environment like avalanches, crevasses and serac falls, but you’re also living amongst total strangers – people whose backstories and motivations are a mystery, and yet you need to trust them with your life. Fatal accidents are considered part of the accepted risk of climbing in these high places – what better place to get away with murder than somewhere already known as the death zone? I knew then that I could use my own personal experience as research, hoping create a unique, compelling, page-turning and yet authentic thriller in Breathless.
Tell us about Manaslu. I know it is the eighth-highest peak but had never heard of it before. Yet it sounds both beautiful and daunting.
Manaslu was the first eight thousand metre peak I’d ever laid eyes on, long before I ever believed I’d be able to climb it. It stands apart from a lot of the other 8,000m peaks, so it dominates the skyline – with a distinctive fishtail peak. It is stunningly beautiful and it is also considered one of the most ‘achievable’ of the 8000m peaks. Many people use it as a training ground for Everest, so it seemed like the right level of challenge as a next step for me in my mountaineering journey. Although ‘achievable’ is a funny word – it was also known as the ‘killer mountain’ for a long time as it had one of the highest death rates of any mountain in the world. There is no safe place to camp on the mountain – everywhere is prone to avalanche danger. It is definitely not to be underestimated.
Cecily is one of just a few women mountaineers in the book. Was that similar to your real life climb? Do you think that it’s harder for women to be accepted into the climbing world?
When I climbed Manaslu in September 2019, I held the record for the youngest Canadian woman, but even more surprising to me was that I was one of only eight Canadian women to have ever reached the summit in history, according to the Himalayan Database. That really showed me just how few women partake in this sport. For so long, I think there have been a lot of barriers to women being fully accepted into the climbing world – there’s the issue of equipment (as I mentioned above) not being designed with women’s bodies and needs in mind, and also the stigma that women in particular face when they participate in high risk sports while leaving their families at home. I think though the tide is changing – with more women than ever breaking ground in this sport, including my good friend and tentmate Stefi Trouget, who became the youngest woman to climb K2 without O2. I found the camaraderie I felt with other women on the mountain to be truly inspirational, and helped me find confidence on the mountain itself.
I loved your description of the teas and the foods you ate both in the town and in the camps. Do you miss that? Or did you take recipes home with you? To me, it seems like a real immersion into the culture of the people who live on the mountain. I’d never run into that in other books about climbing.
Thank you so much! I miss Nepal (and Nepali food) every day! It was important to me when I chose to climb in Nepal, that I used local operators and guides to support their economy as much as possible. What I didn’t realize is how those guides – Nims Dai, Mingma David and my Sherpa Tensing Kasang – would become more like family to me over the years. I have been invited back to their homes and even had the honour of being blessed by Nims’ mother during their Dashain festival. For me, it’s the people who make these climbing trips so memorable and impactful – and getting to immerse myself and learn more about Nepali culture is always the highlight.
What are you working on now?
I’m working on my next adventure thriller, set in Antarctica – a place I was lucky enough to visit back in 2016. I was intrigued to write about the “white night” – because when the sun never sets, there are very few places to hide. My hope is to continue to write books that transport readers to incredible places – with some page-turning thrills along the way.
Is there anything we didn’t cover you’d like readers to know?
I don’t think so!
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From the Book Jacket
How well do you really know your child?
Tia and Mike Baye never imagined they’d spy on their kids. But their sixteen-year-old son Adam has been unusually distant lately, and after the suicide of his best friend Spencer Hill, they can’t help but worry. Within days of installing a sophisticated spy program on Adam’s computer they are jolted by a cryptic message from an unknown correspondent that shakes them to their core: “Just stay quiet and all safe.”
As if Mike Baye isn’t dealing with enough, he also learns that Lucas Loriman, the sweet kid who grew up next door, is in urgent need of a kidney transplant. As the boy’s doctor, Mike suddenly finds himself in possession of an explosive secret that threatens to rip the Loriman family apart at the seams.
Nearby, while browsing through an online memorial for Spencer, Betsy Hill discovers a surprising detail about the night of her son’s death. Before she can find out more, Adam disappears, taking the truth with him and sending shockwaves through the neighborhood.
As the lives of these families collide in tragic, unexpected, and violent ways, long-hidden connections in their small suburb begin to work their way to the surface. And when an unidentified Jane Doe is beaten to death not far away, those connections threaten to turn this quiet community upside down—and force these desperate parents to decide whether there is any line they won’t cross to protect those they love most in the world.
About Harlan Coben:
With over 75 million books in print worldwide, Harlan Coben is the #1 New York Times author of thirty three novels including WIN, THE BOY FROM THE WOODS, RUN AWAY, FOOL ME ONCE, TELL NO ONE and the renowned Myron Bolitar series. His books are published in 45 languages around the globe.
Harlan is the creator and executive producer of several Netflix television dramas including STAY CLOSE, THE STRANGER, SAFE, THE FIVE, THE INNOCENT and THE WOODS. Harlan was also showrunner and executive producer for two French TV mini-series, UNE CHANCE DE TROP (NO SECOND CHANCE) and JUST UN REGARD (JUST ONE LOOK). KEINE ZWEIT CHANCE, also based on Harlan’s novel, aired in Germany on Sat1.
Ellen Saint knows she isn’t wrong but then how could she be right? After all the man she just spotted, Kieran Watts, can’t possibly be alive. That’s because two years ago she killed him.
Saint, a grieving mother, blames Watts for the death of her teenage son. The two teens were best friends and Watts, with all of his charm and deviousness, had corrupted her son and then been with him in the car when he perished. Though it’s been several years since Lucas died, Ellen isn’t ready to forgive. Indeed, whatever happened the first time she set out to destroy Kieran, she doesn’t intend to let that happen again.
The following is a question and answer between Candlish and Northwest Indiana Times correspondent Jane Ammeson.
JA: The Heights is a revenge novel–and ultimately a very fulfilling one. What inspired it?
Louise Candlish: I had wanted to explore revenge for a while and had the idea of constructing that dynamic around a feud. I love feuds! Reaching for a fresh angle, I became intrigued by the dynamic between an overprotective tiger mother and her teenage son’s ‘bad influence’ best friend. It feels quite primal– having your golden boy stolen from you right under your nose.
JA: How do you plot your novels and how do you keep track of all the twists and turns?
LC: I always plot the main thriller story, the mechanics of the crime, before I start, and I loosely think through the structure and the order of the revelations. Because The Heights is a book within a book, I had a natural framework, which helped me keep my thoughts straight.
JA: Ultimately Ellen became a very likeable character and her pain was so palpable–did you base her character on someone you knew?
LC: That is good to hear as I was a little wary of readers reacting negatively to her because she is clearly neurotic and – how can I put it? – an over-reactor. But she is grieving the loss of a child and I think we all understand that could take us to the brink of human endurance. Even so, I’m surprised by how many people have said to me, ‘I’d do exactly the same if that were my child.’ I hope not! She’s not based on anyone in particular, though some of the details of her overly involved behaviour are taken from my observations of fellow parents. She’s actually kind of how I would be if I allowed every catastrophic thought to grow, if I acted on every kneejerk emotion.
JA: What made you decide to write a book within a book like the way Ellen is telling the story in her writing class?
LC: I love this device, which appears in some of my favorite books, like Margaret Atwood’s The Blind Assassin. I think the conditions of the Covid lockdown, during which The Heights was written, had an impact on the structure. By writing a book within a book I was almost doubling my sense of control over the project, imposing order in the only way I could during a chaotic, uncertain time.
For more information, visit LouiseCandlish.com or connect with her on Twitter @Louise_Candlish.