Tag: Fiction

  • They Never Learn

    They Never Learn

                  Scarlet Clark, the lead character in Layne Fargo’s newest psychological thriller, They Never Learn, is not your typical English professor. While she takes her studies and students seriously, for 16 years she’s also been on a mission, to eliminate men at Gorman University she considers to be bad guys. By planning carefully and keeping the murder rate down to one a year, she’s managed to avoid discovery. That is until her last killing—the poisoning of a star football player accused of rape—doesn’t go so well.

    She’d posted a suicide note on the guy’s Instagram account, but it turns out you can’t kill a star athlete without some ramifications. Suddenly, the other suicide notes written by Scarlet are under review and her current project—dispatching a lewd department head who also (not all of Scarlet’s killings are devoid of self-interest) is her competitor for a fellowship she desperately wants.  

    Trying to forestall discovery, Scarlet insinuates herself with the police investigation while under pressure to get away with soon with this next kill.

      But it’s even more complex than this, after all it is a Fargo book and the Chicago author who wrote the well-received Temper, likes the complexities and power struggles inherent in relationships.

     In this case, adding to the drama is the transformation of Carly Schiller, a freshman who has escaped an abusive home life and now immerses herself in studies as a way of avoiding life. But when Allison, her self-assured roommate, is sexually assaulted at a party, Carly dreams of revenge.

    Fargo, Vice President of the Chicagoland chapter of Sisters in Crime, and the cocreator of the podcast Unlikeable Female Characters, has a little bad girl in her too.

    “I love the sinister title of They Never Learn,” she says, adding that this, her second thriller, has everything she loves in a book—sexy women, Shakespeare references and stabbing men who deserve it.

    She was enraged at what she saw as the injustice of the appointment of a man accused of rape into a high position.

     “I channeled that all-consuming anger into a story where men like that are stripped of their power, where they get exactly what they deserve,” she says.

    It’s a timely topic and Fargo is excited that PatMa Productions optioned the TV rights for her book, and she’ll be writing the pilot. 

    That’s a form of sweet revenge.

    Layne Fargo Virtual Book Events

    When: Thursday, October 22; 6 to 7:30 p.m. CT

    What: Layne Fargo in conversation with Allison Dickson, author of The Other Mrs. Miller, to celebrate the release of her new novel, They Never Learn.

    This event is hosted by Gramercy Books in Columbus, Ohio, and will be livestreamed on their Facebook page, with participants able to ask questions of both authors in the latter portion of the program.

    For more information and to stream: https://www.facebook.com/GramercyBooksBexley/events/?ref=page_internal

    When: Sunday, October 25, 1 p.m. EST

    What: Fiction: Witches and Other Bad Heroines by Boston Book Festival

    To register: https://www.crowdcast.io/e/bad-heroines/register

  • Finding hope while studying penguins

    Finding hope while studying penguins

    A quirky adventure following an unusual heroine, “How the Penguins Saved Veronica” tells the story of wealthy 85-year-old Veronica McCreedy, who lives alone in a Scottish mansion. Feisty, stubborn and at times whimsical, McCreedy decided to use her large inheritance in funding a group of scientists who study penguins in Antarctica.

    But all that money comes with one condition — she wants to meet the penguins.

    “The main inspiration of my book was a friend of mine who’s obsessed with penguins,” author Hazel Prior said. “When her husband died, she found an extraordinary strategy of coping with her grief: she decided to travel round the world visiting penguins, her aim to get photos of every penguin species in its native habitat. She’s had such fun with her mission. I’ve always felt that the natural world can bring us healing in many ways, but I decided a story about healing through penguins would be extra-special.”

    Prior said she decided to make Veronica older because she’s been incredibly inspired by people she knows who have started learning new things, from harp-playing to sky-diving, in their 80s and 90s.

    “I love their ‘it’s-never-too-late’ attitude,” she said. “And they have experienced so many changes in their lives. Having an octogenarian as my main character gave me the chance to delve back into wartime history, which is another interest of mine.”

    It’s also important for other reasons.

    “Our society leads us to believe that it’s better in every way to be young,” Prior said. “It would have us think that at 30 the best part of your life is over, at 40 nobody notices you anymore and from 50 onwards you may as well not exist — particularly if you’re a woman. This is so wrong. I admire people who are hungry for life, who go out and seek new experiences regardless of their age. For example, a friend of mine started learning the harp at the age of 90. And my neighbor’s father took up skydiving in his 80s. These are extreme examples, but we never stop dreaming, learning or having new adventures. Every year that passes adds to our rich bank of experiences. The logical conclusion is that the older you are, the more interesting you are — so wouldn’t an octogenarian be the perfect heroine?”

    Speaking of harps, when Prior was a student in Scotland, she found an old broken Celtic harp in a cupboard and decided to learn how to play it, which wasn’t quite as easy as it sounded.

    “But the harp has always been a source of magic and wonder for me,” she says. “It’s an instrument with a sound that’s just so evocative and moving. The Celtic harp was the inspiration for my debut novel, ‘Ellie And the Harp Maker.’”

    Asked if she has any special take-aways for readers, Prior answered that she would like to highlight the importance of caring for this planet that we share with so much amazing wildlife. Adélie penguins are just one of the many species threatened by climate change.

    “But overall, ‘How the Penguins Saved Veronica’ is a fun book,” she said. “Penguins are not only sweet and charming; they also set us a wonderful example of determination, gusto and cheerfulness in the face of hard conditions — a lesson that’s very relevant in our current times. If I could sum up the message of the book in one word, that word would be ‘hope.’”

  • Author Sonali Dev’s new novel is an Indian twist on Jane Austen’s ‘Pride and Prejudice’

    Author Sonali Dev’s new novel is an Indian twist on Jane Austen’s ‘Pride and Prejudice’

    In the 300-room Sagar Mahal, the Ocean Palace built by her great-times-four grandfather on the Arabian Sea, 13-year-old Trisha Raje is coached by her father not to be overwhelmed by the sorrow she sees at a school for the blind but instead find a solution, so she doesn’t feel badly.

    And so, she does. Before long, Trisha has created a global charity that performs eye surgeries on the needy and then becomes San Francisco’s premier neurosurgeon, a woman with immense skill but so lacking in social graces that many in her family are not talking to her, as she once inadvertently jeopardized her older brother’s fast-track political career.

    But that isn’t Trisha’s only difficulty in Sonali Dev’s newest book, “Pride, Prejudice and Other Flavors,” an Indian take on Jane Austen’s classic, “Pride and Prejudice.”

    Dev switches up the focus between Trisha and DJ Caine, a rising-star chef whose cancer-stricken sister is a patient of Trisha’s. Trisha is a descendent of Indian Royalty, while Caine, a Rwandan/Anglo-Indian, belongs to a much lower social class — the classic Austen-style mismatch.

    To paraphrase Austen, Dev writes, “It is a truth universally acknowledged that only in an overachieving Indian-American family can a genius daughter be considered a black sheep,” and the book reflects classic Austen, with its subtle ironic humor and the structured setting required in any well-to-do aristocratic English or Indian milieu.

    Trisha has broken the three ironclad rules of her family: Never trust an outsider, never do anything to jeopardize your brother’s political aspirations and never, ever, defy your family.

    Trisha must cope with falling in love with Caine, saving his sister and ensuring that she will not somehow disgrace her family again.

    Dev, who is married with two teenagers and lives in Naperville, says she’s been entranced with Jane Austen’s book since watching the Indian TV adaptation of “Pride and Prejudice,” called “Trishna,” in the 1980s when she was a middle-schooler.

    “I went straight to the library and checked out “Pride and Prejudice” and read it over and over,” she says.

    As for writing, Dev says she wrote before she could even read, making up stories and characters, noting she wrote and acted in her first play when she was 8. “Writing has always been with me,” she says.

    She grew up in Mumbai though the family traveled a lot as her father was in the military.

    “I was always the new kid on the block with a book,” she says.

    She continues to read and write at an amazing speed.

    “I am in fact waiting to get the edits back for my new book,” she says, noting that writing is an escape, a way of putting yourself in the shoes of someone not like you.

  • How Quickly She Disappears

    How Quickly She Disappears

                Intrigued by the tales his grandparents told of living in Tanacross, a small Alaskan village back in the late 1930s, Indiana author Raymond Fleischmann has woven a mystery set in that time frame and location.

                “I grew up hearing their stories about Alaska, the cold, the isolation, the long days and the long nights,” says Fleischmann, the author of the just released How Quickly She Disappears.  “So, the setting is very real though my characters are fictional and not based on my grandparents at all who were very much in love and married for over 60 years.”

                That part is probably good as Fleischmann’s novel is about Elisabeth Pfautz who is living in Alaska with her husband and young daughter. The marriage is joyless, but her daughter is her delight and, more forebodingly, a reminder and connection with her twin sister, Jacqueline, who when she was eleven, disappeared. No one has seen or knows what happened to her since then.

                  Haunted by her lost sister, experiencing reoccurring dreams of 1921 and the circumstances of the disappearance and saddened by the state of her marriage, Elisabeth is drawn to Alfred, a substitute mail pilot who lands in Tanacross. Elisabeth, who grew up a small German community in Pennsylvania, feels a kinship of sorts with Alfred, who is also of German heritage. But then things turn distinctly weird and terrifying. Albert murders another man, apparently in cold blood. But he also knows, he tells Elisabeth, what happened to her sister, something he will reveal to her at a cost.

                Fleischmann says he’s always been drawn to novels that are propelled by relatively simple, often violent acts, but do so in a way that’s careful, human, and deeply examined. From Alaska in 1941, Fleischmann takes us back to 1921 where we meet Jacqueline as well.

                “I thought it was important for people to know about her as well,” says Fleischmann, who earned an MFA from Ohio State University, “To me, at the time of her disappearance, Jacqueline is a lonely and somewhat stunted child who is having difficulty navigating the transition from adolescent to adult, just like many of us. So is Elisabeth and Jacqueline’s disappearance has left a big void in her life. As an adult she still feels very much alone without her sister and appears to suffer in many dysfunctional ways.”

                All this makes her vulnerable to Alfred’s cat and mouse game as does the voice she seems to hear, that of Jacqueline urging her to “come and find me.”