I devoured Sarah Hawley’s Servant of Earth, the first in her Shards of Magic triology, a romantasy that centers around Kenna, a young woodland girl, held in contempt in her village, who, trying to save her only friend, finds herself a slave in the opulent world of the Fae. These beautiful and magical creatures over-indulge in the pleasures and sins of life–sumptuous food and drink, complicated love affairs, glamorous surroundings, and evil machinations.

The world of the Fae is one of danger, false friendships, and death. To survive, Kenna must outwit and out manuever the most powerful of the Fae. You can read my review here.

I eagerly awaited Hawley’s second book, Princess of Blood, and was not disappointed when it came out earlier this fall. It’s darker as Kenna becomes enmeshed in a power struggle over who will rule the Fae, a battle that imperils her life and those of her friends and followers. Now, I’m hoping that Hawley is working hard on the third and final book in the trilogy as I’m eager to see how it all turns out.

I again had the chance to interview Hawley and thought I’d include the Q & A here.

Were there specific myths, legends, your previous work as an archaeologist or personal experiences that influenced the book’s political intrigue, power struggles, or Fae society?

I’ve always loved reading about the Fae in folklore and fantasy novels! They’re a fascinating combination of whimsical, deadly, beautiful, mercurial, and mysterious, and there are so many ways a writer can pay homage to that lore and take it in new directions.

Many Fae stories include underground elements because the folklore is tied to burial mounds and the remains of ancient structures. Those archaeological sites developed a reputation for being gateways to a mysterious Fae underworld, which served as the inspiration for the subterranean kingdom of Mistei. Combining that dramatic setting and the tricky nature of the Fae in fairy tales led to the complicated politics and power struggles explored in SERVANT OF EARTH and PRINCESS OF BLOOD.

Princess of the Blood explores such heavy themes as trauma, healing, betrayal, murder, and forging new alliances. How did you approach exploring such difficult and emotionally compelling but difficult subjects in your writing? And how did you react emotionally when writing about such things?

Fantasy novels are a great way to explore dark themes that are relevant to our lives. The fantastical setting adds an element of distance while also allowing for very high stakes. It can be difficult to write such heavy content (I feel bad for my characters sometimes!) and I definitely cried while writing certain passages, but I also think it’s a wonderful way to explore themes of healing and growth. I spend a lot of time thinking about how my characters’ emotions and traumas would impact their actions and how they might change over the course of the story.

How did your background in archaeology shape the historical textures and power dynamics in your fantasy world? After all there were a lot of complex, traumatic and emotional plot lines in ancient times as well as diverse architecture.

My background in archaeology definitely impacts my worldbuilding. I’m always thinking about how a society is laid out, from its geography to its social hierarchy, as well as how the characters move through that space. How do they dress and act to signify their status as an insider or outsider? What are the rituals of everyday life? I also like to consider how my characters relate to their own world’s past—their history and myths and the combination of fact, fiction, and propaganda that impacts their beliefs. Their politics and actions are shaped by the stories they tell themselves, just as ours are. I always want the reader to have a sense of an expansive world where countless stories are happening just off the page.

Is there a particular scene or line in “Princess of the Blood” that holds special meaning for you either personally or as an author?

There are a lot of scenes and lines that hold meaning for me, but one passage sums up the central theme of this book and series, which is the cyclical nature of history and the importance of trying to break destructive cycles even if the fight seems hopeless:

“History ate itself like a snake swallowing its own tail as the Fae continued their unending battle for power . . . but that didn’t mean we should give up. Even if our victories had a steep price. Even if we lost.“

Is there anything else you’d like readers to know?

I’m so excited that readers are discovering SERVANT OF EARTH and PRINCESS OF BLOOD! It’s been thrilling and fulfilling to see Kenna’s story resonating with so many people. Thank you to everyone who has picked these books up.

When can we expect the third and final book?

I don’t have an exact publication date yet, but it will be coming in 2026!

My article about Princess of the Blood appeared in the Northwest Indiana Times.